British street artist Banksy was invited to create the opening sequence of an episode of The Simpsons and took the opportunity to denounce the fact that part of the animation process is outsourced to South Korea.
UntitledUnited Kingdom (Great Britain)
158 Archival description results for United Kingdom (Great Britain)
Join Terence McKenna, Rupert Sheldrake, and Ralph Abraham as they trialogue on the relationship between chaos, creativity and the imagination. "The flutter of the the moth's wing can trigger the hurricane. This is not a poetic statement. This is the fact of the matter within this kind of description of nature. In other words, very small changes create cascades into where whole states shift and are perturbed." - Terence McKenna
UntitledSpecies of a technocamp video clip on a universal theme: love defeating evil heat by mitigating the cold spring following winter. Originally recorded in 1940 by Deanna Durbin and recently published using complex overlay systems. 6th Independent Vídeo & Interactive Phenomena Show
An interview with writer and local resident Darcus Howe on the events that took place in London in 2011. "Have some respect for an old West Indian 'negro' " "I don't call it rioting, I call it an insurrection...of the masses of the people. It is happening in Syria, it is happening in Clapham, it's happening in Liverpool, it's happening in Port-au-Spain, Trinidad, and that is the nature of the historical moment."
UntitledIa documentary about the root causes and present contradictions of the Palestinian-Israeli conflict, a deeply personal odyssey of discovery, and a surreal work of art combining poetry, music, and images both beautiful and horrific. While its subtitle is "Theological Political Fragments," the film ends by tying its many elements together in ways the viewer may not expect.
How our lives become entangled in media, and media becomes part of our lives. 3 Mostra de Vídeo Independent de Barcelona 1996.
The video depicts a dark and obscure world of perception, trying to capture the intangible, breaking away from the concrete notion of sight and sound, and creating an amplitude of cognitions, where attention is diverted to unexpected places: 'As we move from the more conscious aspects of interpreting messages toward the more unconscious processes of perception we seem to be shifting our levels of abstraction from the more concrete towards the more abstract' (Gregory Bateson).