Made over six years in the hotels of six different countries, Hotel Diaries is a series of video recordings which relate personal experiences to the current conflicts in the Middle East. In these works, which play upon chance and co-incidence, the hotel room is employed as a 'found' film set, where the architecture, furnishing and decoration become the means by which the filmmaker's small adventures are linked to major world events. Works in the series include Frozen War (Ireland, 2001), Museum Piece (Germany, 2004), Throwing Stones (Switzerland, 2004), B & B (England, 2005), Pyramids/Skunk (The Netherlands 2006/7), Dirty Pictures (Palestine 2007) and Six Years Later (Ireland 2007).

The Interactive Sonic Environment is a multi-layered internet-based space of sounds in which users experience sensitive listening within a commuting journey in the London Underground. The environment contains contributions made by volunteers, in the form of meaningful sounds selected by them and reflective texts written by them. Five main spaces—entrance, tickets, corridor, platform and carriage— have been divided into categories according to the movement that the commuters make during the journey (e.g. going up escalators to the tickets' place). Four ‘symbolic' spaces—doors, trains arriving, announcements and steps—are the result of repetitions in their selections, which I considered relevant as a shared space in their memories - sub-spaces derived from the real space. Each category contains a list of sounds that are triggered and overlapped according to the user's navigation. The activity proposed by the artwork is one of “wandering”, or free navigation. Navigation allows, through the resultant layering and sequencing, the perception of a musical discourse of the commuting experience. It is a single-user multimedia application that embodies collective meaning. The whole of the virtual space and the feelings triggered by it become the focus of the experience.

Hafiza born a beautiful young Muslim girl in London is trying to find herself. She is yet undecided wether the Hijab is for her. Her father does not want her to go to the mosque. He fears she will get up to no good there, it being perfect breading ground for social interaction amongst young people. So she takes part in all sorts other youthful activities like cart racing, without her fathers knowledge. As long as her mum knows, cause she doesn't really listen to her dad.

Two Eritrean girls enchant with fragmentary tales of escaping their country and what it really feels like being a child refugee, alone in London. A intimate portrait, highlighting the emotional fallout of political conflict commissioned for London Borough of Islington's "Kick Islamophobia" campaign.