United Kingdom (Great Britain)

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            United Kingdom (Great Britain)

              158 Archival description results for United Kingdom (Great Britain)

              158 results directly related Exclude narrower terms
              Sleep has her house
              ES ES-OVNI CTX-S019-SS002-0001 · Item · 2017
              Part of Non-Identified Video Observatory (OVNI)

              The shadows of screams climb beyond the hills. It has happened before. But this will be the last time. The last few sense it, withdrawing deep into the forest. They cry out into the black, as the shadows pass away, into the ground.

              Slow Action
              ES ES-OVNI CTX-S015-SS007-0002 · Item · 2012
              Part of Non-Identified Video Observatory (OVNI)

              Slow Action is a post-apocalyptic science fiction film that brings together a series of four 16mm works that lie somewhere between documentary, ethnographic study and fiction.Continuing his exploration of curious and extraordinary environments, Slow Action applies the idea of island biogeography - the study of how species and eco-systems evolve differently when isolated and surrounded by unsuitable habitat - to a conception of the Earth in a few hundred years; the sea level rising to absurd heights, creating hyperbolic utopias that appear as possible future mini-societies. Slow Action is filmed at different sites across the globe: Lanzarote - a beautiful strange island known for its beach resorts yet one of the driest places on the planet, full of dead volcanoes and strange architecture; Gunkanjima - an island off the coast of Nagasaki, Japan, a deserted city built on a rock, once home to thousands of families mining its rich coal reserves; Tuvalu - one of the smallest countries in the world, with tiny strips of land barely above sea level in the middle of the Pacific; and Somerset - an as yet to be discovered island and its various clades. This series of constructed realities explores the environments of self-contained lands and the search for information to enable the reconstruction of soon to be lost worlds. The film’s soundtrack - narratives by writer Mark von Schlegell - detail each of the four islands’ evolutions according to their geographical, geological, climatic and botanical conditions. Slow Action, inspired by novels such as Samuel Butler’s Erewhon, Bacon’s The New Atlantis, Herbert Read’s The Green Child and Mary Shelley’s The Last Man, embodies the spirit of exploration, experiment and active research that has come to characterise Rivers’ practice.

              Somos Saharauis
              ES ES-OVNI CTX-S013-SS007-0060 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              This film explores the lives of a refugee community, the Saharawis, whose land was stolen and they were condemned to live in a forgotten corner of the Sahara desert. The human face of this long struggle for independence is shown through a child called Hussein and his family.

              Untitled
              Standing Army
              ES ES-OVNI RSC-3181 · Item · 2010
              Part of Non-Identified Video Observatory (OVNI)

              Over the course of the last century, the US has encircled the world with a web of military bases unlike any other in history. Today, they amount to more than 700, in 40 countries. No continent is spared. They are one the most powerful forces at play in the world today, yet one of the less talked-about. They have shaped the lives of millions, yet remain a mystery to most. Why do countries like Germany, Italy, Japan and South Korea still host hundreds of US military bases and thousands of US soldiers? And why is the US aggressively expanding in many new countries? How do the bases affect local populations, and what stance has president Obama taken on this controversial subject? This documentary film answers these and other questions both through the words of prominent experts, intellectuals and ex-insiders – Noam Chomsky, Gore Vidal, Chalmers Johnson and others – and through the shocking but often inspiring stories of those directly affected by US bases in Italy, Japan, the Indian Ocean and elsewhere.

              Sticky Pixels
              ES ES-OVNI RSC-3134 · Item · 2010
              Part of Non-Identified Video Observatory (OVNI)

              Third and last section of videos containing snow. Having snowballs returned to sender seemed to create havoc with the image processing Codec but I liked this particular accident of failing technology.

              Stolen Fish
              ES ES-OVNI CTX-S012-SS007-0006 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              How Pirate Fishing is Robbing the People and Seas of West Africa. The Environmental Justice Foundation, EJF, sets sail with Greenpeace to investigate the extent of illegal fishing off the coast of West Africa.

              Strange Place For Snow
              ES ES-OVNI RSC-3331 · Item · 2010
              Part of Non-Identified Video Observatory (OVNI)

              Using the principle and the form of the Moebius strip subverting and structuring the spatial and timely experience this video explores the space of anticipation, anxiety and strategy. Every filmic event and space produces new narratives and scenarios leading the passages from one realm to the next. The structural and symbolic use of Moebius strip, a double and the references to futuristic literature such as Vladimir Mayakovsky's The Bed Bug,the narration from H G Wells' Time Machine and 1984 by Orwell, intend to reflect the future and the complex identity of a historical border town in Northern England, taking place against the backdrop of its regeneration strategy. Several viewpoints are allowed to enter the discourse, highlighting the potential for imaginative projection,creative confusion and contradictory beliefs.

              Strange Place For Snow
              ES ES-OVNI RSC-3330 · Item · 2010
              Part of Non-Identified Video Observatory (OVNI)

              Using the principle and the form of the Moebius strip subverting and structuring the spatial and timely experience this video explores the space of anticipation, anxiety and strategy. Every filmic event and space produces new narratives and scenarios leading the passages from one realm to the next. The structural and symbolic use of Moebius strip, a double and the references to futuristic literature such as Vladimir Mayakovsky's The Bed Bug,the narration from H G Wells' Time Machine and 1984 by Orwell, intend to reflect the future and the complex identity of a historical border town in Northern England, taking place against the backdrop of its regeneration strategy. Several viewpoints are allowed to enter the discourse, highlighting the potential for imaginative projection,creative confusion and contradictory beliefs.

              Studio Bankside
              ES ES-OVNI CTX-S003-SS002-0022 · Item · 1970
              Part of Non-Identified Video Observatory (OVNI)

              Studio Bankside was Derek Jarman’s first film. It is a diary recording daily activity in the studio where he lived and worked, and in the surrounding streets. He shot his Super8 films without prior plans, but gave weight to the resulting images by radically slowing them down, sometimes to three frames a second, and adding music. 3 Mostra de Vídeo Independent de Barcelona 1996.

              Untitled
              Take Me Home
              ES ES-OVNI RSC-2918 · Item · 2008
              Part of Non-Identified Video Observatory (OVNI)

              The home of the Palestinian person today, is no longer defined by geographic borders; “Take Me Home” is an observational first person pilgrimage introducing a unique person, Watfa, who carries with her the legacy of a family. A dispersed Palestinian family, who helped establish revolutionary movements, at times when the Arab world's faith in the individual's freedom and autonomy was self-evident. The director questions her personal fears, and desperately clings on to the resonance of intimate moments shared with her grandmother and great aunt; a passing generation whose hope has been continuously challenged by decades of oppression and conflict.