Rigid things can always be moved about is an investigation in three films and many gazes. The films are Notes on an African Orestie by Pasolini, Images of the world and inscription of war by Farocki and Sans Soleil by Chris Marker. The film is based on the idea of an intervention and on the idea of a discussion that comes to terms with the problems of using and misusing archive material. It also tries to transfer an academic context back to the filmic medium. With three different approaches of appropriating these filmic works the film explores the means and concerns of the cinematic image. It is a study of essay film using the means of the essayistic itself.

Ethnographic documentation of the possession rituals of Mina, the religion of African origin practiced in the city of Sâo Luis. Through fragments of public rituals celebrated in seven religious communities, the video shows the diversity and richness of rituals surrounding the controversial phenomenon of possession. 6th Independent Vídeo & Interactive Phenomena Show

In the last moments of a life, human senses blur with those of the surrounding forest. Death is the flowing of human senses out into the world beyond the flesh cage. Death is the final breath joining the endless journey of the night breeze.

A homage to Lewis Caroll and to Alice Liddell, where the words of the final paragraph of “ Alice's Adventures in Wonderland” are re-arranged into a poem, using each word once, unless it appears more than once in the original . The title “simple simple simple “ is the words left over. The poem, text and sound, plays against the final page of a manuscript in Caroll's own hand, with one of his photographs of Alice at the foot of the page.

Sin Papeles tells the story of the of a hunger strike staged by migrant workers, without papers (sin papeles), in a small church in Barcelona by bringing together a sound recording of its climax made in March 2001 and film footage of the location shot four years later to the day. The subjective account of the event made by the artist in the form of a sub-titled narration is a process of personal reflection de-objectifying the subject of migration for the purpose of work, displacement and social order. The film is a reflection on the implications and realities of the aspects of the EU project that have created a fortress of Europe.