The sun does not always shine in Barcelona, the “best shop in the world” according to the slogan of a City Council campaign. The thousands of tourists who visit Barcelona every month boost the city's economy, but their social and human impact is often overlooked. The precarious nature of jobs in tourism, real estate pressure from the hotels, and the types of problems that crop up when a city turns into a kind of theme park in an attempt to seduce outsiders. The classic problems of global capitalism, reflected in one of the country's major industries... “BCN Thematic Park” talks about all this... about Barcelona, a city-advertisement that is turning into the newest theme park on the international market.

“In our century, hospitality has been replaced by the hospitality industry. When we see the word in print or we hear it from somebody's lips, it is always in the context of the commercial world: whether it be in reference to a holiday package deal, a hotel or the customer service offered by an air hostess. Hospitality has become merchandise, and luxury merchandise at that. A service provided in exchange for cash, or better still, for a signed slip guaranteeing payment by some prestigious credit card. In this world of economic trade, we are vulnerable without the shield of a Mastercard or American Express card. Only the balance of our plastic can protect us.” Hector Zagal and Julián Etienne: Sobre la Hospitalidad.

Concrete Coast is about the social, cultural and environmental effects of the last section of un-urbanized Spanish Mediterranean coast being built up for residential tourism in the Region of Murcia. Agriculture is disappearing along this 230 km stretch of coastline and being replaced by 60 golf courses, marinas, freeways and new large-scale planned communities with 1,000,000 residences, mainly for sunseeking British retirees who are set to double the population of Murcia within few years. The impacts of these large-scale economic and political forces are illustrated by a Spanish farming family having their land expropriated and a retired British couple embarking on their new life in a country where they do not even speak the language. How will all of this change the culture of the region? Will the populations integrate? Will these and other Spanish farmers have to emigrate?

Shot in Cameroon and Brussels, Je ne suis pas moi-même explores the world of African antiquities and the contradictions in a European art market hungry for new tribal objects. Where do the African masks come from? What journey do these masks make before their unveiling in the windows of the biggest galleries or art collections in Europe? Who determines the economic and aesthetic value of these objects now that colonialism is supposedly dead' And then there's a continent called Africa, in need of economic resources and therefore willing to sell its cultural heritage or, if need be, to fake it. The authenticity of the objects becomes blurred when the people that once adored them start to sell them.

The civic behaviour bylaws recently passed by Barcelona City Council and applied to other Catalan municipalities bear a striking resemblance to Fraga's 1965 “Keep Spain Clean” campaign. Sex workers, skaters, artists, social activists... spoke out against the new legislation. The video covers the numerous demonstrations that were organised against the civic bylaws.