On Latin-American immigration in the United States.

A glimpse into the life of Barcelona's Pakistanis. They talk to us about their work, the journey that brought them to Barcelona and their families, among other things. We visit some of the places where they tend to congregate: the Rambla del Raval, telephone centers, Barceloneta beach and the three Chimneys.

Flexible work, an unpredictable and precarious life, infowork, expropriation of communal space for use by the transnational companies that rule the empire... the precarious working conditions in which millions of people find themselves within the global society that is being constructed.

A short film based on an interview in a bakery in Berlin. When I first struck up a conversation with the people working there, they told me that they were from Iraq. As we continued talking to each other, they became more and more insistent on the fact that they were all Kurdish, and that they were making bread after a Kurdish tradition. A sign above the shop window that says “Oriental flat bread” in German, and I was curious to find out why the bakery “orientalized” itself. The answer to this question is not simple at all, and cannot be found in this film. What emerges instead is a fragment of a story suppressed between national narratives of war, displacement and migration.

A piece about isolation and solitude in daily life. In an atmosphere of complete alienation, the solitary worlds of the workers in an office building are shown: managers, cleaning ladies...Contrasts the bright and glamorous hyper-real world with the internal darkness of its inhabitants. OVNI 2000 Community 6th Independent Vídeo & Interactive Phenomena Show

Over the last twenty five years, Maghrebian immigrants living in France have brought their families to join them. Many of them lived in shanty towns before moving to working class suburbs. Their children were sent to school and grew up in France. Now their grandchildren cannot move forward, because they have lost their historical memory. This community of two million people, of whom a third have French nationality, are weighted down by double silence: the silence of their parents, and the silence of the public institutions. Mémoires d'immigrés, l'héritage maghrébin is an inside look at this community scattered throughout the four corners of French territory. Benguigui constructs her documentary by intercutting the personal and moving stories of three groups of interviewees: the fathers, the mothers, and the children.

Yamina Benguigui turns her camera on a multi-ethnic region on the outskirts of Paris. These 'backyards' of Paris - suburban industrial ghettos filled with poor immigrants - are a breeding ground for social problems in the midst of an eclectic mix of conflicting cultures and identities.

Mardi Gras: Made in China follows the path of Mardi Gras beads from the streets of New Orleans during Carnival – where revelers party and exchange beads for nudity – to the disciplined factories in Fuzhou, China – where teenage girls live and sew beads together all day and night. Blending curiosity with comedy, Mardi Gras: Made in China is the only film to explore how the toxic products directly affect the people who both make and consume them.