“You can see a bird in flight and watch to observe it, or feel that you are flying with it. That is contemplation, becoming the other.” Hafiz. Despite (or because of) its apparent calmness, contemplation is the state that most radically dissolves and liberates the self. Through contemplation, the other gradually seeps into us like gentle rain ... without realising it, we suddenly start to see ... the world is not outside us and nothing is lifeless ... images appear and disappear over the silence of that which has no name or form ... like the blinking of something that isn’t our eyes... perhaps then the inner teacher will appear intimately... you will recognise him because all that has withered blooms again ... then we will know that the sky can also be stone and feet can walk on clouds and ... But make sure you do not name him ... for he will vanish.
Toni Serra
18 Archival description results for Toni Serra
Al Barzaj [Between the worlds] is a poem about the halfway world, between the visible and the invisible, sleep and wakefulness... An inner journey through underground streets, secret gardens.
Untitled"Welcome to Tangier is like your home, happy, very happy and nothing else. Why not ?.... Go go and look for Charlie you will be in good hands you know what I mean in good ?....in good hands, he will help you around and .... do you understand my friend'"
The sacrifice. The lessons of death, its open spaces. Video Serie: El Hamdulillah Tapes * Pirate Utopias & European Renegadoes.
“Do not be sad, my son, you are destined to fall in love.” An intervention-reading of a concert by Egyptian musician Abdelhalim el Hafiz, performing The Fortune Teller by the poet Nizar Qabbani. "My son you are 10 years old, I look at the life you have ahead of you and today it gives me vertigo. But it is not fair, perhaps because I am seeing it from my decline, I no longer have the drive that is becoming strong in you now, that is growing every day; this whirlwind of dust, but also of beauty that will take your life, like ours, like a leaf in the wind. Perhaps it was you and Yasmin who recently crossed the dense city sky... I remember as if it were yesterday in the wastelands, you picked up a translucent stone that shone in the sun when you showed it to me and now I know that you are that star you were holding in your hands".
UntitledThe Song of the Hoopoe “Traveler who travels with no other baggage than imagination.”
"Those who are on the road of the heart show their wounds...". Farid Ud-Din Attar. S.XI. Persia. Cd rom_interactive. Zayd Ibn Dawra 2000 Marrakesh. Collaborations: Zoubida el Bouzidi. IDEP.
In a time that is becoming difficult for bees (as for us) In a year of severe drought, in a country that is already often arid, taking the path of bees has been to make a journey through moors and mountains, but also through states of mind, obstacles and encounters .. until reach their generous garden. Video made for the BEEHAVE exhibition, Joan Miró Foundation 02/16/2018 - 05/21/2018. Available online until December 27th 2020.
An initiatic journey Videos from an exhibition at the Centre de Cultura Comtemporània de Barcelona from March 26 to May 30, 2002 (a project by Albert Garcia-Espuche and Toni Serra). Into the innermost parts of the city of Fes.Using audiovisual recordings that illustrate some of the different anthropologic, sociologic, urbanistic and religious aspects that make up the fabric of the city. A journey that requires both objectivity (in the working method) and subjectivity (for the experience of the journey and immersion in another culture).
A journey of initiation into a city and a its culture. The set of projections (10 screens) aimed to create a journey in the complex sense of the term: using audiovisual segments to illustrate aspects of the anthropological, sociological, urban and religious tissues of the city. A journey claiming both: a certain objectivity (in the working method), and the subjectivity (of the travel experience and approach to another culture). Moreover, the projections do not meet the criteria of a film with a beginning and an end, but rather the creation of a landscape, so the viewer choosed the time he/she wished to dedicated to each fragment. This made it possible to enjoy a deeper level of inquiry to specific fragments (artisans, rituals interviews, etc.). Consequently, the result of each visit to the exhibition gave an unique combinatorial fragments, since the total length of the projections would be about 6 hours. VideoInstallation 10 screens total lenght: 6h 40' Toni Serra , Albert García Espuche CCCB Centre de Cultura Contemporània de Barcelona 2002
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