Toni Serra

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        Toni Serra

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            Toni Serra

              37 Archival description results for Toni Serra

              37 results directly related Exclude narrower terms
              En el camino de las abejas
              En el camino de las abejas
              ES ES-OVNI CTX-S020-SS003-0006 · Item · 2018
              Part of Non-Identified Video Observatory (OVNI)

              In a time that is becoming difficult for bees (as for us) In a year of severe drought, in a country that is already often arid, taking the path of bees has been to make a journey through moors and mountains, but also through states of mind, obstacles and encounters .. until reach their generous garden. Video made for the BEEHAVE exhibition, Joan Miró Foundation 02/16/2018 - 05/21/2018. Available online until December 27th 2020.
              Fes. Ciutat Interior
              ES ES-OVNI CTX-S010-SS007-0076 · Item · 2002
              Part of Non-Identified Video Observatory (OVNI)

              An initiatic journey Videos from an exhibition at the Centre de Cultura Comtemporània de Barcelona from March 26 to May 30, 2002 (a project by Albert Garcia-Espuche and Toni Serra). Into the innermost parts of the city of Fes.Using audiovisual recordings that illustrate some of the different anthropologic, sociologic, urbanistic and religious aspects that make up the fabric of the city. A journey that requires both objectivity (in the working method) and subjectivity (for the experience of the journey and immersion in another culture).
              Fez, Ciudad Interior.: Fragmentos de una instalación
              ES ES-OVNI RSC-1914 · Item · 1999
              Part of Non-Identified Video Observatory (OVNI)

              A journey of initiation into a city and a its culture. The set of projections (10 screens) aimed to create a journey in the complex sense of the term: using audiovisual segments to illustrate aspects of the anthropological, sociological, urban and religious tissues of the city. A journey claiming both: a certain objectivity (in the working method), and the subjectivity (of the travel experience and approach to another culture). Moreover, the projections do not meet the criteria of a film with a beginning and an end, but rather the creation of a landscape, so the viewer choosed the time he/she wished to dedicated to each fragment. This made it possible to enjoy a deeper level of inquiry to specific fragments (artisans, rituals interviews, etc.). Consequently, the result of each visit to the exhibition gave an unique combinatorial fragments, since the total length of the projections would be about 6 hours. VideoInstallation 10 screens total lenght: 6h 40' Toni Serra , Albert García Espuche CCCB Centre de Cultura Contemporània de Barcelona 2002

               Untitled
              Istishara
              Istishara
              ES ES-OVNI CTX-S011-SS004-0001 · Item · 2004
              Part of Non-Identified Video Observatory (OVNI)

              Dream stories. Dreams as a passage into parallel worlds, erasing the limits between the real and the unreal, between life and death.
              Je vous ai compris
              Je vous ai compris
              ES ES-OVNI CTX-S011-SS002-0016 · Item · 2006
              Part of Non-Identified Video Observatory (OVNI)

              1958 General De Gaulle pronunces -in a very convulse and tragic moment for an Argelia under rigorous represion and torture- its famous and demagogic “Je vous ai Compris” (I understand you). A reading on several audiovisual documents of that time gives to us an opposite meaning to that sentence. “Je vous ai Compris” now means and show us the real sense of the civilizational work of the western powers. Today so enthusiaticly renovated.