The Purple Meridians

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              9 Archival description results for The Purple Meridians

              ES ES-OVNI RSC-4275 · Item · 2018
              Part of Non-Identified Video Observatory (OVNI)

              In April 1961, in the Aurès mountains of Algeria, a hunting commando made up of Breton conscripts confronts a group from the National Liberation Army and captures an Algerian prisoner. A French soldier, wounded in the clash and a schoolteacher in civilian life, recalls the events he experienced with his comrades over the past months: their opposition to the Algerian war led them to a camp reserved for draft resisters. He remembers how their commanding officer managed to turn them, from young anti-militarist Bretons, into fearsome fellagha hunters — ready to kill, and even starting to enjoy it. All of them, except him, gradually give in to the escalating violence. Avoir vingt ans dans les Aurès, is a fictional work based on eight hundred hours of recordings of French conscripts during the Algerian war.

              Europe Trap: TRAILER
              ES ES-OVNI RSC-4281 · Item · 2012
              Part of Non-Identified Video Observatory (OVNI)

              Europe Trap is a film depicting the true struggle of a refugee. A close-up of Zakereh, a 55-year-old mother trying to reunite with her son, who is trapped in Greece. Through her eyes we shall witness her struggle against herself and society; a struggle as hard as the previous one she faced during wartime in Afghanistan. Zakereh fled Afghanistan many years ago. She escaped from war but she found misery and hostility. First in Iran, as a widow, with one child and without any rights, and later on, by crossing without papers many borders until she arrived in Europe. Once in Europe, at Athens airport she lost her son Omid and arrived alone in Spain without knowing where she was. Now she is suffering from culture shock, trying to fit in in another world where she doesn’t belong and dealing every day with a strange reality, with all her sadness and pain. The intimate portrait of an Afghan woman, who first became a widow and then a refugee. A testimony of the incomprehension of a new world and the situation she has to deal with now – a war as hard as the previous one, in the Europe Trap. A documentary about exile, loneliness, and the ghosts of war.  

              Untitled
              ES ES-OVNI RSC-4284 · Item · 2020
              Part of Non-Identified Video Observatory (OVNI)

              The animals of Stella. While out exploring in the winter months, an almost prodigious chance encounter bring me to the shores of the lake ‘des Eaux-Chaudes’ (Alps of Haute Provence, France), the place that will become a creation laboratory of the video installation Les animaux de Stella/The animals of Stella. The human voice frees itself from the coded language and interacts with other sounds becoming part of the place, which in turn is internalized by the child. Thus a reciprocal dialogue is established, a spontaneous communication that brings out an intimate bond of affection. An equal relationship is progressively fostered between the girl and the environment that welcomes her, in an attempt to renew the ancient relationships between human and non-human.

              Untitled
              Mundos Uterinos
              ES ES-OVNI RSC-4282 · Item · 2019
              Part of Non-Identified Video Observatory (OVNI)

              In the depths of aquatic worlds there is an amniotic fluid that connects us, immersing us in that place where gills are evident through bubbles, plankton and algae. Fluid, lactating worlds where the horizon is hazy and undulating. Where up or down is anywhere and everywhere at the same time.

              Untitled
              REWEND
              ES ES-OVNI EXP-S004 · Series · 2022
              Part of Non-Identified Video Observatory (OVNI)

              Practical information

                         A presentation of Kurdish films by the Rojava Kurdistan Film Commune (Northern Syria)

              OVNI has collaborated with the Rojava Film Commune in a project aimed at researching, screening, and promoting their work in Spain, Italy, and France. A process of investigation through videos, texts, and meetings, in order to listen to their voices and understand their struggle together. We have created a website that you can visit link.

              Komîna fîlm a Rojava (Rojava Film Commune) is a collective of filmmakers founded in 2015, based in the autonomous Rojava region in the Federation of Northern and Eastern Syria. The Commune is actively working in the region to rebuild and reorganise filmmaking and film education infrastructures.

              The Rojava Film Commune was established to promote local film culture by organising film screenings, facilitating discussions on the role of film within society, producing new films, and setting up a Film Academy. Following the 1960 fire in Rojava’s only cinema in the city of Amude—which saw the death of 298 children trapped inside—the Commune aims to reclaim film as a central space for reimagining society, by democratising and revolutionising the imagination itself.

              The Commune has educated a new generation of Rojava filmmakers, organized screenings in cities and villages, and produced new films. It seeks to represent the values and ideals of the Rojava Revolution, but also to mediate and depict the daily struggles in the Syrian civil war and Rojava’s collective attempt to build a new society.

              The Rojava Film Academy provides education for aspiring filmmakers in Northern Syria. Founded in 2015, it offers one-year programmes, with courses on international film history, Kurdish film history, film theory, photography, cinematography, script writing, editing, and sound design, taught by local and international film professionals.

              The Academy is self-organized and non-hierarchical, encouraging students to participate in every aspect of its organization. Exchange networks have also been set up with other academic, media, and news platforms, and with civil society organizations, in order to engage in broad discussions and create screening possibilities. Considering the influx of foreign filmmakers and journalists to Rojava, it is important for the Commune to reclaim the representation and imagination of the revolution.

              After decades of oppression of Kurdish language and culture, the Rojava Film Academy aims to revitalize local film culture, reclaiming the power to narrate and imagine one’s dreams and realities. After the Syrian Civil War started, the predominantly Kurdish northern region declared the Autonomy Administration, creating structures based on grassroots democracy, women’s liberation, and cultural diversity.

              The Academy bases its methodology on ‘revolutionary realism’, i.e. a realism that does not merely reveal the current reality in a new way, but also restructures the reality of the possible . As well as finding forms to express things as-they-are, it creates the opportunity to imagine the not-yet-present, the ‘eternal becoming’ that is the revolution itself.

              https://rewend.desorg.org/

              https://rewend.desorg.org/

              The Purple Meridians III
              ES ES-OVNI EXP-S009 · Series · 2023
              Part of Non-Identified Video Observatory (OVNI)

              The Purple Meridians III

              The Purple Meridians III

              Over the past two years, a total of 19 filmmakers based in the three countries have met, online and in person, to discuss obstacles they face as women and non-binary people in the audiovisual industry, to exchange ideas and resources, and to create together.

              Preparations are underway in Italy , Turkey , Catalonia and the Basque Country for the third edition of The Purple Meridians 2023 , with the Gender Equality sponsorship by Eurimages .

              This year, the project will have its public and main event at the Durango Book-Music-Cinema Fair on 7 December . Durango is a city in the Basque Country and has been chosen by the organizers of The Purple Meridians to expand even further – as is the purpose of this project – the connections among women filmmakers in Europe and beyond.

              The choice of the Basque Country was therefore a ‘natural’ development as Basque filmmakers followed the first two Purple Meridians albeit ‘from a distance’. The program in the Basque Country will be possible thanks to the collaboration with the Durango Book Fair and Suargi Elkartea.

              Two main themes would be the focus of this third event:

              the difficulties, responses, proposals for women in the audiovisual industry to conjugate work and care work (maternity, care of children, care of elderly, care of ill partner/family member etc) and for women with disabilities.

              These two themes will be discussed in a 2-session conference in Durango to be held on 7 December 2023.

              Two filmmakers directly and most affected by this situation will be leading the discussion, Lisa Çalan and Ahu Ozturk . The two filmmakers, both Kurdish, will work with Basque filmmakers (who are exploring these issues in their films and who this year will be presenting a manifesto about ‘care’), as well as with the other filmmakers of The Purple Meridians (from Italy and Catalonia), not only in exposing the problems, but also in proposing answers, keeping in mind that one of the pillars of The Purple Meridians project is creating networks among women filmmakers in different countries.

              The speakers will be:

              Lisa Çalan, Ahu Öztürk (from Turkey, TPM), internationally acclaimed Basque actress Itziar Ituño (La Casa de Papel), Basque directors Ainhoa Olaso (winner of the Aukera program) and Estibaliz Urresola (awarded in Berlin 2023), Catalan director Lara Vilanova (TPM), Italian director Claudia Tosi (TPM), Argentine scriptwriter based in Belfast Luciana de Mello , Lebanese director Mary Jirmanus Saba , Kurdish director Sevinaz Evdike (Women Filmmakers Collective Kezi), and director Elli (Post Collective - Buriatia, Greece, Syria, Belgium).

              The day will be accompanied by the screening at Irudienea (12:30h-13:30h) of Estibaliz Urresola's short film, Cuerdas , and a Work in Progress by Mary Jirmanus Saba.

              At 19:00 h, the filmmakers will present to the press a summary of the conference's work.

              The press conference will feature also an intervention by a Palestinian filmmaker.

              Tiempos de Deseo
              ES ES-OVNI RSC-4283 · Item · 2020
              Part of Non-Identified Video Observatory (OVNI)

              A new place in the world is revealed while Bea is confronted with loss and what she imagines will come. In the house that prepares itself to embrace change, fears dwell. An unforeseen loneliness also seems to be part of her desire, that of being a mother without a partner and a lesbian. Raquel films her attached to a time when the two shared the same idea of community. As Bea’s body changes, the camera moves between affection and distance. An attempt to get to know each other (again), and perhaps also a need to wonder about family, love, friendship and all those desires that overflow the limits of intimacy.

              Untitled
              Trinta Lumes: Thirty Souls
              ES ES-OVNI RSC-4285 · Item · 2018
              Part of Non-Identified Video Observatory (OVNI)

              Alba is twelve years old and wants to discover the mysterious, fascinating and unknown reality of death. With her best friend Samuel, she enters abandoned houses, travels through forgotten villages and explores remote mountains that hide another parallel world. Hers is a journey to reveal the unexplainable conflict between the living and the dead.

              Untitled
              Una revuelta sin imágenes
              ES ES-OVNI RSC-4279 · Item · 2020
              Part of Non-Identified Video Observatory (OVNI)

              One of the most unknown uprisings of our history "The bread mutinery" was led by women in Cordoba, May 1652. There are no faces, there are neither names. There is no image of them. How can we recover the gestures of resistance that we cannot see?

              Untitled