“Avenge But One of My Two Eyes” is a ramble between three arenas at the height of the “El Aqsa” Intifada: the practice of the Masada cult, reinvented in the mid-1940s and interwoven with the leading Zionist discourse, the condition of oppression and besiegement of the Palestinian people in the occupied territories, and the continuous religious and secular cult of Samson, aka “Samson the Hero”. Real places, times and situations penetrate one another and integrate, presenting the Israeli reality as it is: embroiled, violent, suicidal.
UntitledSionismo
4 Archival description results for Sionismo
The "Israel Experience" is the biggest Zionist project in over a decade. Its sole purpose is to create new allies for the State of Israel in times of crisis. To this end, "Israel Experience" offers young Jews from around the world guided tours of the Holy Land. The film accompanies a group of young Americans on their intensive bus journey across a strong and righteous Israel. The marketing of Israel as such, juxtaposed against the reality, reveals our society's need to avoid confronting our flaws. ?
At a time when the Israeli-Palestinian conflict has reached a stand still, the director has the courage to allow central figures of Matzpen to speak once again. Matzpen were an anti-Zionist group who were subject to abuse and social and political isolation in their native Israel for 35 years: because its members affirmed the legitimacy of the Palestinian claim to live in their own land.
UntitledFour families in Israel/Palestine built their dream houses. This process confronts them with the wounds of their past and takes us into their dreams for a better future: Kalman was born to Holocaust survivors in a refugee camp in Cyprus after World War II, his first house in Israel was a house left by the Arab community in Haifa.Zaki is the son of Palestinian refugees who were expelled from their village in the Israeli War of Independence, the Palestinian Naqba of 1948. He and his family live only few miles away from the ruins of their former home. Michal, daughter of Israeli settlers in Sinai, saw the bulldozers destroy her beloved home during the evacuation from Sinai in 1982 and Rina never had a private home in the Kibbutz where she grew up. Through these personal stories Tal creates a sensitive kaleidoscope of Israeli society at the beginning of the new Millennium.
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