This film aims to reinstate the political experience of organisation and struggle of the Venezuelan people by exploring the history of a barrio in Caracas: 23 de Enero. From the moment it was founded, the popular organisations of 23 de Enero have been major players in the political events that shaped Venezuela's history and led the country into a new kind of revolutionary process with Hugo Chávez's coming into power.

The films of Cuban director Santiago Alvarez exist as a kind of fractured mirror on the last 40 years of American history - a subversive alternate history. A film career that began only with the triumph of the Cuban Revolution in 1959 and continued until his death in 1998. This is a compilation of his films: Now, Cerro Pelado, Hanoi Martes 13, Hasta la Victoria Siempre, L.B.J., 79 Primaveras, El Sueno del Pongo and El Tigre Saltó y Mató... Morirá... Morirá.

Huey P. Newton was a co-founder of the Black Panther Party for Self-Defense, an organization FBI Director J. Edgar Hoover once called “the greatest internal threat to the security of the United States”. He spent four years in prison for the voluntary manslaughter of an Oakland police officer before his conviction was overturned in 1971. This powerful documentary features an exclusive interview with Newton during his incarceration, wherein Newton discusses his goals as a revolutionary, including self-determination for African-Americans, full employment, decent housing for the poor and disenfranchised, an end to police brutality and an end to the Vietnam War.

Elections Under Threat is a video documentary about the recent parliamentary elections in Iran. Produced for Aljazeera English, the documentary shows a side of Iranian politics rarely seen in the Western media. The film portrays the everyday people of Iran as well as the candidates running for Parliament as they debate and discuss the relevance of these elections, their economic conditions and the international pressures on their nation.

We are now moving through a very bleak period in human history - where the convergence of postmodernist cynicism (eliminating humanistic and critical thinking from the education system), sheer greed engendered by the consumer society sweeping many people under its wing, human, economic and environmental catastrophe in the form of globalisation, massively increased suffering and exploitation of the people of the so-called Third World, as well as the mind-numbing conformity and standardization caused by the systematic audiovisualization of the planet have synergistically created a world where ethics, morality, human collectivity, and commitment (except to opportunism) are considered old fashioned. Where excess and economic exploitation have become the norm - to be taught even to children. In such a world as this, what happened in Paris in the spring of 1871 represented (and still represents) the idea of commitment to a struggle for a better world, and of the need for some form of collective social Utopia - which WE now need as desperately as dying people need plasma. The notion of a film showing this commitment was thus born.

We are now moving through a very bleak period in human history - where the convergence of postmodernist cynicism (eliminating humanistic and critical thinking from the education system), sheer greed engendered by the consumer society sweeping many people under its wing, human, economic and environmental catastrophe in the form of globalisation, massively increased suffering and exploitation of the people of the so-called Third World, as well as the mind-numbing conformity and standardization caused by the systematic audiovisualization of the planet have synergistically created a world where ethics, morality, human collectivity, and commitment (except to opportunism) are considered old fashioned. Where excess and economic exploitation have become the norm - to be taught even to children. In such a world as this, what happened in Paris in the spring of 1871 represented (and still represents) the idea of commitment to a struggle for a better world, and of the need for some form of collective social Utopia - which WE now need as desperately as dying people need plasma. The notion of a film showing this commitment was thus born.

MOVE first emerged in Philadelphia (USA) in the early seventies. This documentary traces the most important events in the history of the organisation during the seventies and eighties, when MOVE was at the centre of brutal repression that ended with the majority of its members killed or in jail. Eight of them remain in prison to this day. “The work of MOVE is the revolution. MOVE works to stop industry from poisoning the air, the water, the soil, and put an end to the enslavement of life - people, animals, any form of life... The revolution begins with the individual. It begins when a person commits to doing the right thing. You cannot turn somebody into a revolutionary by making them shout slogans or wield arms. The revolution cannot be imposed on others, it must awaken within each person. Somebody may talk about the revolution, but if they still worship money or take drugs or abuse their partner, they are obviously not committed to doing the right thing. Revolution is not a philosophy, it is an action".

Chavez, elected president of Venezuela in 1998, is a colourful, unpredictable folk hero, beloved by his nation's working class and a tough-as-nails, quixotic opponent to the power structure that would see him deposed. Two independent filmmakers were inside the presidential palace on April 11, 2002, when he was forcibly removed from office. they were also present 48 hours later when, remarkably, he returned to power amid cheering aides. Their film records what was probably history's shortest-lived coup d'état. It's a unique document about political muscle and an extraordinary portrait of the man the wall street journal credits with making Venezuela "Washington?s biggest Latin American headache after the old standby, Cuba."

Léxico Familiar transforms the all-encompassing intent behind the idea of a “dictionary” into a more modest attempt to compile a few elements of the “family lexicon” that constitutes the language of the new movements. As per Heinrich von Kleist's idea of gradual production of thoughts whilst speaking, this vocabulary is revealed through the course of the conversation, framing and editing, which literally seek to show how thought is embodied. Just as political concepts that lead to dynamics of change (which can be appropriated by other subjects, and which circulate so as to be verified through different practices) don't arise through isolated gestures or thought ex nihilo, but from actual experiences and specific bodies and struggles.

An interview with writer and local resident Darcus Howe on the events that took place in London in 2011. "Have some respect for an old West Indian 'negro' " "I don't call it rioting, I call it an insurrection...of the masses of the people. It is happening in Syria, it is happening in Clapham, it's happening in Liverpool, it's happening in Port-au-Spain, Trinidad, and that is the nature of the historical moment."