"Planet of the Arabs" is an experimental short illustrating Hollywood's relentless vilification and dehumanization of Arabs and Muslims by making use of TV and film clips to create a "preview" for the ultimate Hollywood movie.
UntitledResistencias-ovni2005
72 Archival description results for Resistencias-ovni2005
Varanasi, India, 6am. 2nd week of the shoot. The heat is already unbearable. Among the alleyways of this sacred city, someone invites me to carry out an interview. I don't understand what he is saying, but I follow him.
UntitledTales from the Periphery looks at the changes currently taking place in the world's second largest river basin, that of the River Plate Delta in Argentina, and reveals aspects of the lives of its people. The everyday rhythm of these lives slowly unfolds before a camera which picks out detail via a subjective approach, thus opening up a new existential reality for the spectator.
UntitledThere are resistances from various origins and languages that unfold against the imposition of a single and hegemonic thought.
/ CONTEXT 1994 - 2020
The word resistance is starting to gain currency in places and cultures all over the world, joining those that have never stopped practicing it. Resistance implies negation, the blocking of a process or power, but it also contains an affirmation: that there are other ways of doing, thinking, living. Minorities and majorities marginalized in their own land practice it in various active and passive ways. Today, this practice is bringing together very diverse cultures and peoples, some totally unconnected, that are starting to become aware of each other, to talk of each other amongst themselves in this struggle.
These resistances with their different origins and languages are being exercised against the expansion of a hegemonic " single thought " , a single way of understanding history and progress. This is often called " the West " ,...an amorphous, symbolic concept that initially referred to Europe, in particular the old European powers called the " western powers " , and then as the economic system expanded, to the United States of North America and even its allies in the Far and Middle East. Now the West seems to refer to an economic system and the culture it produces rather than the geographic sense.
What seems certain is that the Western imaginary needed to construct itself in opposition to another even larger and less exact invention: the Orient. The idea of " the Orient " was born as a result of the expansion of the " colonial powers " , and applied equally to the entire area ranging from the Maghreb to the Far East. As a new object of desire, it joined other previously conquered " uncivilized " territories, " indigenous peoples " , or the elusive " el Dorado " , etc...
It's important to recognise that the idea of the West itself was also constructed through the negation of its own diversity and heterodoxy, the violent negation of its own history(ies), and required the invention of an imaginary and exclusive genealogy in which one period succeeded the next, unopposed: classical antiquity, the Roman empire, Christianity, rationalism, the enlightenment, positivism, capitalism...all of them reinterpreted as gentle stereotypes with no violence or edge, ready for identity consumption. And so the " classical " was redefined as aristocratic origins already dominating the proto Orient or the " Persian enemy " , the Roman empire as a cruel but unifying force, Christianity as a sometimes fanatical and hypocritical but in the end civilising force, the Enlightenment as liberating and humanist in spite of its despotism and colonising approach to knowledge. And to top it off: the idea of never-ending, linear, acritical progress; and of capitalism as the ultimate guarantee of freedom ... The gradual technological hegemony is added to the succession and has arrived to test its raison d'etre and its power.
This genealogical construction rests on the global society of consumption, and its hard core that has concentrated in the web of interests of the giant oil, pharmaceutical and military industry companies, which project a spectacular world through the mass media. A way of colonising desire and fears through images and slogans, but above all a mechanism for reversibility, in which not only success and triumph but also tragedy and disaster, even our own, are instantly turned to profit through the spectacle of consumption. In this process, the idea of a single economy based on permanent and aggressive growth and the dogma of technological euphoria play key roles. Even moderate voices calling for sustainable models don't try to depart from this radical economic model, they may modulate the degree of aggressiveness, but not growth itself. The global society of consumption is so because it consumes to the point of extinction not just products but also natural resources, people and communities.
This expansive economy is generating a state of permanent conflict with many fronts: obviously military interventions, repression, occupation. But also in the field of food: local products are increasingly playing a minority role (whether marginal or elitist) and the presence and accessibility of global processed products is increasing on the free(?) market. The concept of intensive and industrialised agriculture is literally being imposed, an idea in which all processes: genetically modified seeds, fertilisers, pesticides, etc...form a single package... The planet's natural resources are coming under the prism of private property and exploitation, not just raw materials and fuels but also water, on which speculating investments are starting to converge. Public and private medicine is infiltrated by the interests of the pharmaceutical giants, not only in the virtually undisputed empire of chemical medicine, but also in the concept of what public health implies, fighting, discrediting or ignoring preventative practices and their inescapable link with education. In fact, the education system's most utopian end seems to be ergonomic adjustment to the needs of " the market " . To introduce content or practices that are not necessarily even critical, just foreign to these needs, is perceived as noise, an obstacle.
The mass media is mainly fed by ready-made news from the few major news agencies. As a group, their effect is a constant resetting of events, which are presented as a series absurdities. They propagate the idea of a hyper-privileged West in contrast to an " underdeveloped " and always suffering world, that could only possibly be of interest as a tourist destination (and, in fact, " tourists get to the places where armies don't " ). In this way, day by day, they create a single perception of poverty and wealth. The third-world media image of a boy soldier participating in incomprehensible wars, that touches the consciences of so many, never finds its parallel in the increasingly common image of a western child devoting hours to violent videogames, with some of the best-selling games being versions of military training programs.
But in these areas too, resistance persists and is growing, not always ideologically or consciously, and in ways that are different because they respond to specific contexts, cultures and traditions that vary widely from each other. We should then speak about resistances. Some of these arise from western critical thought, the remains of shipwrecked liberating ideologies, alternative practices, new foundations and connections... Others arise from the indigenous rhizome that extends unevenly throughout the world and knows that constant aggression against the earth and nature is a self-destructive process, destroying our resources and also our knowledge. Other radical resistances arise from cultures, like the now-demonised Islamic culture, a culture that is barely known and which has suffered almost 10 million victims (1) in the last decade while the West remained largely silent,... and from many other positions, religions and practices that increasingly need the awareness of the others and mutual respect. A key dialogue for accepting our knowledge and practical diversity and for self-criticism in relation to the totalitarian, exclusive aspects that exist in almost every culture. In this respect Europe and by extension the West, in spite of the majestic role it has assigned itself in the history of humanity and the construction of freedom and human rights, can hardly claim to have a model record in terms of racial, religious or national tolerance, even compared to neighbouring cultures. Paradoxically, even some parts of current critical thought and activism too easily reproduce and extend ethnocentric criteria.
OVNI 2005 Resistances will program and then include in the Observatory Archives a series of audiovisual works (155), mostly independent documentaries, media archaeology, agit-prop,.. that tell us of different forms of resistance and conflicts. From their dive
The fictions-performances inside and outside of Starbucks coffee shops and Disney stores often end with the Reverend being arrested. He calls it stepping into somebody's imagined box. The police call it illegal trespassing. The Reverend claims that social change always begins with civil disobedience and includes as his heroes the civil rights, peace and labor movements.
UntitledSoraida is a Palestinian woman who lives in Ramallah, in the occupied territories. This video captures her personal struggle to retain her humanity in the midst of oppression. In her neighbourhood, the women do not all wear veils, the men do not rattle off empty political slogans, and the young people do not have bombs strapped to their belts. Life goes on despite the curfews and checkpoints that confine the people in a barless cage. Soraida invites us into her world, and that of her family and neighbours. Through their simple, everyday actions, we discover the worst thing about living under a state of siege: the loss of control over one's own life. In this vibrant plea against the occupation, Soraida shares her reflections on life in Palestine and her refusal to give in to the hate and violence.
UntitledThank god for India is a documentary that deals with the generation gap between young Israeli travelers in India and the conformities of society in Israel today . The film also takes a look at the new Israeli subculture that has developed in India as a result of this gap. The film follows 72 year old Amos Mosenzon , who decides to venture to the country he's always dreamed about - India . He asks permission from his 95 year - old mother , who doesn't understand why he has to go to India , of all places , instead of "civilized"countries , like France or Japan . Amos says farewell to his wife and takes off for a journey into the unknown .
UntitledMohamed Ramzam is a Pakistani who has earned a living delivering gas bottles in the neighbourhood of "El Raval" since arriving in Barcelona in 1990. Despite working these last 12 years Mohamed doesn't receive a salary and lives from day to day on the tips he receives from the customers. He has managed to bring his wife and three children from Pakistan and they live in a warehouse situated in the heart of this working class area where the Muslim ideas and traditions of Pakistan are held dear.
UntitledThe Terror is British colonialism and cold war imperialism The Time is 1953. This documentary treats colonialism and western cold war imperialism in the context of the British army invasion of Guyana in 1953. Focusing on the economic and cultural repression of the Guyanese people, the Victor Jara Collective captures the force of the historical events that clarifies the struggles of the working and peasant class. Centering around historical references, interviews and nine Poems of Resistance by Martin Carter, the film deals critically with the total impact of the period. It reveals the complex nature of colonialist domination in daily life presenting images which examine the psychological consequences of poverty and oppression. In examining the effective use of Carter's poetry, which was banned in Guyana, Eusi Kwayana, leading member of the working people's alliance, sees the collection as a cultural product to enrich the struggle with "ideological nourishment."
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