Between 2000 and 2003, PROCIVESA, the property development company that is restructuring various areas in the old part of the city, expropriated various housing blocks in Barcelona?s La Ribera neighbourhood at a low price. And then demolished them. Local residents named the new empty space that remained where their houses used to be the "Forat de la Vergonya" (the Hole of Shame), as a way of denouncing a situation that they considered degrading for a number of reasons: the public authorities? abandonment of an area that was already problematic, the interminable construction work, the loss of rights of people relocated to new apartments, etc.

El Perro Negro - Stories from the Spanish Civil War is a poetic collage of homemade movies, captured almost involuntary by amateur artists. Joan Salvans i Piera and Joan Ernesto Díaz Noriega are the two characters of this story: Ernesto, a middle class student in Madrid, who survives war; and Joan, a Catalan industrialist who is murdered six days after the outbreak of the conflict. Their films lead us through the Spain of the 30s and 40s.

What is daily life like in Iraq? Do you think they have more rights now than they did under the yoke of Saddam? How do they deal with the growing insecurity that has seized this Arabic country? For the first time since operation ?Enduring Freedom?, a journalist spends several weeks living with families in Baghdad, in order to report on their day to day lives. And he does it by following the steps of Mazi Hermes (Nqwa, 1961), an Iraqi living in Barcelona who returns home after spending thirteen years in Spain.

In a Colombian state, a distressed group of indigenous people under the white man pressure (army, paramilitary and guerrilla), meet together to ask the "bunachi" (white man) to live them alone.

The documentary follows the taxi-van driver Rajai who tries to live and survive in Jerusalem and Ramallah. We see the problems in the region through his eyes. Rajai is the guide in the labyrinth of war, occupation and resistance in a chaotic area. He leads us over detours and mountain dusty roads passed the roadblocks and bit by bit we get to know more about him and his thoughts. The passengers in the van, the places he gets to and the activities he explores besides driving a taxi conjure up a divers image of the situation in Palestine and of Rajai himself.

Galoot (Exile in Hebrew) is an intimate saga that touches on the seeds of the pains and tragedies now transformed into the entrenched Palestinian/Israeli conflict. A temporary exile from his homeland allows an Israeli filmmaker to see the conflict with new and provocative eyes. Through his Palestinian and Israeli friends and through his and his wife's personal journeys, Galoot provides a reflective voyage through homes and deserted homelands in Israel, Palestine, Poland, Morocco and England.

American documentary filmmaker James Longley travelled to the Gaza Strip in January of 2001, planning to stay for two weeks and collect preliminary material for a film about the Palestinian intifada. He threw away his return ticket and stayed for another 3 months, shooting over 75 hours of material throughout the Gaza Strip. GAZA STRIP follows a range of people and events following the election of Israeli Prime Minister Ariel Sharon, including the first major armed incursion into "Area A" by IDF forces during this intifada. The film is filmed almost entirely in a verite style, presented without narration and with little explanation, focusing on ordinary Palestinians rather than politicians and pundits.

This fascinating media archaeology document from the US Navy shows us a marine administering an enema to his brave companion, following the official method approved in US Navy manuals. From the The Subject is Sex collection.

The birthday of this video's fictional filmmaker, Avi Mograbi (also the name of the real director), is the same day as the 50th jubilee anniversary of the founding of Israel, a day observed by Palestinians as "Al Nakba" or the Catastrophe. Mograbi is hired first by Israeli television to film the events leading up to the jubilee and then by a Palestinian producer who wants him to film the ruins of Palestinian villages and towns in Israel. To make matters worse, he is enmeshed in a real estate deal with his neighbours and enraged buyers arguing over property boundaries. The collision of these three anniversaries, two film jobs and a dispute over property lines takes this fictional "documentary" into the depths of Israeli and Palestinian daily life and a shared 50-year history.