The Purple Meridians III

The Purple Meridians III

Over the past two years, a total of 19 filmmakers based in the three countries have met, online and in person, to discuss obstacles they face as women and non-binary people in the audiovisual industry, to exchange ideas and resources, and to create together.

Preparations are underway in Italy , Turkey , Catalonia and the Basque Country for the third edition of The Purple Meridians 2023 , with the Gender Equality sponsorship by Eurimages .

This year, the project will have its public and main event at the Durango Book-Music-Cinema Fair on 7 December . Durango is a city in the Basque Country and has been chosen by the organizers of The Purple Meridians to expand even further – as is the purpose of this project – the connections among women filmmakers in Europe and beyond.

The choice of the Basque Country was therefore a ‘natural’ development as Basque filmmakers followed the first two Purple Meridians albeit ‘from a distance’. The program in the Basque Country will be possible thanks to the collaboration with the Durango Book Fair and Suargi Elkartea.

Two main themes would be the focus of this third event:

the difficulties, responses, proposals for women in the audiovisual industry to conjugate work and care work (maternity, care of children, care of elderly, care of ill partner/family member etc) and for women with disabilities.

These two themes will be discussed in a 2-session conference in Durango to be held on 7 December 2023.

Two filmmakers directly and most affected by this situation will be leading the discussion, Lisa Çalan and Ahu Ozturk . The two filmmakers, both Kurdish, will work with Basque filmmakers (who are exploring these issues in their films and who this year will be presenting a manifesto about ‘care’), as well as with the other filmmakers of The Purple Meridians (from Italy and Catalonia), not only in exposing the problems, but also in proposing answers, keeping in mind that one of the pillars of The Purple Meridians project is creating networks among women filmmakers in different countries.

The speakers will be:

Lisa Çalan, Ahu Öztürk (from Turkey, TPM), internationally acclaimed Basque actress Itziar Ituño (La Casa de Papel), Basque directors Ainhoa Olaso (winner of the Aukera program) and Estibaliz Urresola (awarded in Berlin 2023), Catalan director Lara Vilanova (TPM), Italian director Claudia Tosi (TPM), Argentine scriptwriter based in Belfast Luciana de Mello , Lebanese director Mary Jirmanus Saba , Kurdish director Sevinaz Evdike (Women Filmmakers Collective Kezi), and director Elli (Post Collective - Buriatia, Greece, Syria, Belgium).

The day will be accompanied by the screening at Irudienea (12:30h-13:30h) of Estibaliz Urresola's short film, Cuerdas , and a Work in Progress by Mary Jirmanus Saba.

At 19:00 h, the filmmakers will present to the press a summary of the conference's work.

The press conference will feature also an intervention by a Palestinian filmmaker.

The public presentation

The Purple Meridians is a joint project by three organisations in Spain, Italy and Turkey that brings together eighteen women filmmakers, six from each country, to debate the difficulties faced by women working in the filmmaking industry and wider screen sector. The aim is to share strategies for overcoming common obstacles and set up a support and exchange network for future partnerships crisscrossing Europe from east to west.

The project is made up of three workshops, an online roundtable, onsite screenings in Barcelona, Turin and Diyarbakır and an online programme featuring a selection of films by the participating filmmakers. The films, subtitled in English, will be made available on the streen.org platform, free of charge on the first day (to be decided on the basis of the onsite screenings) and then on a pay-per-view basis for three months.

Once the onsite and online workshops have been held in Barcelona, Turin and Diyarbakır,  each group will watch the videos of the workshops held by the other two groups and draw up a set of conclusions to share at the online international roundtable.

The filmmakers resident in Catalonia ( Anna Giralt Gris, Raquel Marques, Pilar Monsell , Ro Caminal, Lara Vilanova i Lili Marsans) will meet at the Centre Cívic Pati Llimona , where they will connect with Turin (as part of the Torino Film Festival) and Diyarbakır (Turkey).

OVNI, Mostra de Films de Dones i l’Alternativa will present a programme of films made up of two films by each of the eighteen participating filmmakers.

The remaining shorts will be screened on the same day on a continuous loop on a monitor at the Pati Llimona Civic Centre.

All the films will be available from 3 December in their original language with English subtitles on purplemeridians.org .

1- Spain Workshop (onsite)

     Monday 15 November , 4 pm to 8 pm

    Sala Raval, CCCB, Not open to the public

2- Spain Workshop (online)

    Monday 22 November , Not open to the public

3- International Roundtable (online)

    Saturday 27 November, 11 am to 12.30 pm

    Open to the public, The roundtable will be held in English

4- The Purple Meridians Screenings

    Thursday 2 December , 6.30 pm to 8.30 pm

    Centre Cívic Pati Llimona, Free admission

    Films in their original language with Catalan subtitles

The Purple Meridians is a joint project by three organisations in Spain, Italy and Turkey with the support of 2021 Eurimages Gender Equality Sponsorship.

http://purplemeridians.org/

http://purplemeridians.org/

A 20 minute short movie-presentation of the insurrection of December 2008 in Greece through the words and actions of people that took part in it. The video was created in Thessaloniki in January 2009 and its first presentation took place before an open discussion-review of the insurrection in the squatted public library of Ano Poli.

The film focuses on the re-enactment of a demonstration of women against the prohibition of work introduced by the Taliban. The shots were taken during the shooting of the Afghan feature film OSAMA in November 2002 in the streets of Kabul. 1000 women had come to play in this scene, and their personal experiences were identical with the ones of the protagonists. Most of the women acted in the demonstration scene to earn money. By demanding work they hoped to improve their real situation.

Liana Badr's documentary locates itself at the checkpoints and Wall crossings within the Palestinian Occupied Territories. Here, the control of walls, gates, and roads is always political, and seemingly simple structures serve not as means of passage but more often as obstacles to the crops, families, schools, and livelihoods of those who must endure their presence.

Between 1970 and 1972 the Angry Brigade used guns and bombs in a series of symbolic attacks against property. A series of communiques accompanied the actions, explaining the choice of targets and the Angry Brigade philosophy: autonomous organization and attacks on property alongside other forms of militant working class action. Targets included the embassies of repressive regimes, police stations and army barracks, boutiques and factories, government departments and the homes of Cabinet ministers, the Attorney General and the Commissioner of the Metropolitan Police.

Soraida is a Palestinian woman who lives in Ramallah, in the occupied territories. This video captures her personal struggle to retain her humanity in the midst of oppression. In her neighbourhood, the women do not all wear veils, the men do not rattle off empty political slogans, and the young people do not have bombs strapped to their belts. Life goes on despite the curfews and checkpoints that confine the people in a barless cage. Soraida invites us into her world, and that of her family and neighbours. Through their simple, everyday actions, we discover the worst thing about living under a state of siege: the loss of control over one's own life. In this vibrant plea against the occupation, Soraida shares her reflections on life in Palestine and her refusal to give in to the hate and violence.

This film explores the lives of a refugee community, the Saharawis, whose land was stolen and they were condemned to live in a forgotten corner of the Sahara desert. The human face of this long struggle for independence is shown through a child called Hussein and his family.

Historically, Cauca's indigenous movement has gone through times of war in which it was forced to use the right to civil violent resistance in response to attacks by armed groups. Now, it is a peaceful movement focused on respect for life and everything that makes it possible.