In the pitch black of the tunnel, rats swarm through piles of garbage as high-speed trains leaving Penn Station tear through the darkness. For some of those who have gone underground, it has been home for as long as twenty-five years. Deeply moving and surprisingly entertaining, Dark Days is an eye-opening experience that shatters the myths of homelessness by revealing a thriving community living in tunnels beneath New York City and honestly capturing their resilience and strength in their struggle to survive. With a haunting soundtrack by DJ Shadow.

The clash between the State and the social movements in Spain in 2011 laid bare the true nature of power. The police crackdown was a response to the largest protest to date. Three hundred thousand demonstrators were faced with the most violent side of democracy. Using images of these events taken from various sources, this film reflects on democracy, power and its symbols, the role of the media and violence, as well as questioning the language of film and the scope of its possibilities.

On December 26, 2003, the Israeli Defense Force (IDF) deliberately shot at Gil Namati, a 21 year old Israeli protestor that demonstrated against the separation fence/wall. Gil was shot in both legs by two live bullets. The incident created a media storm and raised many question . What would have happened if the IDF didn't lie about the shooting of Gil Namati/ Would it have justified the actions taken by the security forces? Is there a difference between shooting a Jew and a non-Jew? This film is divided into three parts, the first part presents the investigation which was shown at the press conference and proved the IDF was lying about the reasons for the shooting, the second part criticizes the investigation itself and how the media reacted and portrayed the incident and the separation barrier, and the third part is a propaganda piece about the "danger" anarchism poses in Israel.

The 'Cartoneros', an army of the shadows - more than 100,000 strong -who assemble each night to scavenge the city's street and rubbish dumps for cardboard to sell for a pittance. These people commute to their place of work like foraging animals, herding themselves onto the 'White Train' which rattles through the suburbs of Buenos Aires in the battered shells of carriages devoid of doors, windows, seating or lights.

Between 2000 and 2003, PROCIVESA, the property development company that is restructuring various areas in the old part of the city, expropriated various housing blocks in Barcelona?s La Ribera neighbourhood at a low price. And then demolished them. Local residents named the new empty space that remained where their houses used to be the "Forat de la Vergonya" (the Hole of Shame), as a way of denouncing a situation that they considered degrading for a number of reasons: the public authorities? abandonment of an area that was already problematic, the interminable construction work, the loss of rights of people relocated to new apartments, etc.

When night falls, the Colombian countryside undergoes a transformation. Danger lurks in the dark. Carmen, a peasant woman in her fifties, knows it well. This film finds the right distance to absorb her tale of a tormented life, while drawing the audience into the harsh world of the Colombian peasant through one of its most fascinating aspects: the oral tradition.