refugiados

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              10 Archival description results for refugiados

              10 results directly related Exclude narrower terms
              ES ES-OVNI RSC-1350 · Item · 2001
              Part of Non-Identified Video Observatory (OVNI)

              An intimate dialogue with Soha Bechara, ex-Lebanese National Resistance fighter, in her Paris dorm room. The interview was taped during the last year of the Israeli occupation, one year after her release from captivity in El-Khiam torture and interrogation center (South Lebanon) where she had been detained for 10 years—six in isolation. Revising notions of resistance, survival, and will, the overexposed image of the survivor speaks quietly and directly to the camera—not speaking of the torture, but of separation amd loss; of what is left behind and what remains.

              Untitled
              The Wall
              ES ES-OVNI RSC-4317 · Item · 2016
              Part of Non-Identified Video Observatory (OVNI)

              The film tells of the lives of four young men in a refugee camp who dream of inviting Rogers Waters (Pink Floyd) to give a concert in their camp, thus giving us an insight into the lives of these young men, their struggles and the daily hardships they face in order to survive.

              Untitled
              The Other City
              ES ES-OVNI DIF-S004 · Series · 2016
              Part of Non-Identified Video Observatory (OVNI)

              Nievell Zero - Fundació Suñol - Act 34

              Opening: Thursday 21st, July, 7:30 pm

              The works selected for Act 34 at Nivell Zero focus on analysing the concept of the city as a diverse, living, alternating phenomenon. Seen through this prism, the other city is an imagined, dreamed, stifled, revolutionised, abandoned place that eschews the neoliberal paradigm of the metropolis as a stage for doing business and disdains the identical, cloned theme-park cities found in so many places across the world.

              The six works featured in the show shine a torch into the dark corners of cities such as Barcelona, Cairo, Casablanca, Marseille, Naples and Beirut.

              Each video will be screened as a looped projection at Nivell Zero on a given day of the week. In parallel, visitors can also watch eight documentaries from OVNI Archives, on demand on two computers in the gallery.

              Calendar of screenings:

              Morning screenings: 11am-12am-1pm / Afternoon screenings: 4pm–5pm–6pm-7pm

              BARCELONA > Port Trade Portrait . David Batlle. 2014. Spain. OV in Catalan with English subtitles. 37’

              Morning screenings: 11am-12am-1pm / Afternoon screenings: 4pm–5pm–6pm-7pm

              CAIRO > Erhal [Leave] . Marc Almodóvar. 2011. Egypt/Spain. OV in Arabic with Spanish subtitles. 55′

              Morning screenings: 11am-12:30am / Afternoon screenings: 4pm-6pm

              CASABLANCA > Des Murs et des Hommes . Dalila Ennadre. 2013. Morocco/France. OV in Arabic with Spanish subtitles. 82′

              Morning screenings: 11am-12:30am / Afternoon screenings: 4pm-6pm

              MARSEILLE > La Raison du Plus Fort . Patric Jean. 2003. France. OV in French with Spanish subtitles. 83’

              Morning screenings: 11am-12:30am / Afternoon screenings: 4pm-6pm

              NAPLES > In Purgatorio . Giovanni Cioni. 2009. Italy. OV in Italian with Spanish subtitles. 69′

              Afternoon screenings: 4pm–5pm–6pm-7pm

              BEIRUT > Ça sera Beau. From Beyrouth with Love . Waël Noureddine. 2005. Lebanon/France. OV in French with Spanish subtitles. 30′

              https://www.fundaciosunol.org/en/exposicion/acte-34-la-ciutat-altra-arxius-ovni/

              https://www.fundaciosunol.org/en/exposicion/acte-34-la-ciutat-altra-arxius-ovni/

              Territoire Perdu
              ES ES-OVNI DIF-S010-SS002-0001 · Item · 2011
              Part of Non-Identified Video Observatory (OVNI)

              Drawing from stories of flight, exile, interminable waiting and arrest, and persecuted lives on both sides of the wall that divides the Western Sahara, Territoire perdu bears witness to the Sahrawi people, their land and their entrapment in other people’s dreams.  The film juxtaposes sonorous landscapes, black-and-white portraits and nomadic poetics.   

              Untitled
              ES ES-OVNI CTX-S016-SS003-0002 · Item · 2012
              Part of Non-Identified Video Observatory (OVNI)

              Life in an Immigration Detention Centre is not life at all, it is waiting. Waiting and fear. Fear of deportation, fear of losing your direction while your life is limited to the four walls of the cell, fear of a future that could surely not be worse. The testimonies of former inmates of the Immigrant Detention Centre (CIE) at Zona Franca, Barcelona, offer us a glimpse of the reality of these illegal, covert prisons.

              Untitled
              Real Saharawi
              ES ES-OVNI CTX-S012-SS007-0086 · Item · 2006
              Part of Non-Identified Video Observatory (OVNI)

              Like many refugee children in the camps of Algeria, Zrug left home when he was only eight years old in search of education in Cuba. After 16 years, he returned home only to find that his mother died six years earlier, but he still decided to stay on and actively participate in the fight for the liberation of his people.

              Untitled
              Our village
              ES ES-OVNI RSC-1351 · Item · 2000
              Part of Non-Identified Video Observatory (OVNI)

              Qualb el Umur (QU) is a project of the Arab Education Forum.It provides spaces and opportunities for people, especially young people, to work in small groups, to reflect on and express their work and experiences, and interact, learn, communicate, and build. This film is the first products of the Qu project in Palestine and were done in cooperation with Palestine Mirror Production and the popular Art Center. The Children were given the space to work on their own films and learn and grow through reflecting on their life and trough teamwork.

              Forst
              ES ES-OVNI CTX-S012-SS004-0006 · Item · 2005
              Part of Non-Identified Video Observatory (OVNI)

              This documentary talks about a forest in the middle of Europe, far from the urban world and from civilisation, which is home to a peculiar community of the banished - it is a world for the stranded. A diffuse system that still has total control makes sure that this world doesn't show itself, that it doesn't pop up in our reality and become a disturbance. In Forst the banished proclaim their own truth and tell the story of their empowerment. They gradually recall their identity as political refugees and start to make plans for their escape...

              Crossing Kalandia
              ES ES-OVNI CTX-S010-SS007-0016 · Item · 2002
              Part of Non-Identified Video Observatory (OVNI)

              A video journal reflecting the life of a Palestinian family and a Palestinian town during one year of the intifada. Kalandia is the name of a refugee camp between Ramallah and Jerusalem, but more recently it has become the location of one of the most heavily-traveled Israeli checkpoints in the Palestinian territories. Shot between May 2001 and August 2002, Crossing Kalandia offers a unique perspective on recent events in Palestine.

              Untitled
              A Day in Our Life
              ES ES-OVNI CTX-S009-SS002-0008 · Item · 2001
              Part of Non-Identified Video Observatory (OVNI)

              Qualb el Umur (QU) is a project of the Arab Education Forum. It provides spaces and opportunities for people, especially young people, to work in small groups, to reflect on and express their work and experiences, and interact, learn, communicate, and build. This film is the first products of the QU project in Palestine and were done in cooperation with Palestine Mirror Production and the popular Art Center. The Children were given the space to work on their own films and learn and grow through reflecting on their life and trough teamwork. In the film A Day in our Life, the children aged 12-16 years present their life in the Amari refugee camp in Ramallah. They use documentary as well as role play to introduce the audience to details of daily life in a refugee camp in Ramallah, including people's memory which is an integral part of their life.