There is a glut of wealthy in the city of Saba. Everyone has more than enough. Even the bath stokers wear gold belts. Huge grape clusters hang down on every street and brush the faces of the citizens.
UntitledPoesía
52 Archival description results for Poesía
A captivating message for dark times
Music is there to be made 1
Void and music in the West
The Black Antisol - //Silence in the awakening of the worlds//
Invitation to the film-trance: Research project & Live Cinema with Vincent Moon
To interrupt the noise of the world, to be receptive, to listen, to open to the co-animation of the world.
An exploration, a week of sound encounters, with a live cinema or film trance session at the CC Convent Agustí.
Faced with the monotonous and maddening barbarism of the media and the networks that make us see without seeing, that simplify reality by reducing it to spectacular events and violence, Vincent Moon invites us to stop the machines and go out to meet each other.
To interrupt the noise of the world, not to escape from the horror of the ongoing war or from the clear perception of a civilisation advancing towards the abyss.
Vincent Moon , independent filmmaker and sound explorer, who has been travelling the world for twenty years, will spend a week travelling with us between Barcelona and the mountains of the Pyrenees, encountering known and unknown music, and an invisible art of living and resisting.
The way we show the world helps to change the way we see it, changing the way we look helps to change a world flooded with images.
Vincent Moon says: "I long to rediscover, to rework a link with ancestral tonalities and rhythms, forms of trance...". From the Dhikr (remembrance) of Sufi tariqas in Chechnya, Ethiopia or Turkey; to months in the interior of Brazil or Peru, or incursions in Jakarta, Argentina or Morocco: "A kind of experimental ethnography, trying to hybridise all these genres of trance and music in different parts of the world (...) I think we are recording to gain a certain complexity (...) To reinvent life today we have to elaborate new forms of imagery. And it's very simple. You have to go out into the encounter (...) You break down the barriers to the encounter with the body more than with knowledge. This is what travelling taught me, to trust the memory of the body more than the memory of the brain. Respect is a step forward.
A poetic approach to the everyday. Exploring rhythm and tonality in the sound and visual resonance between beings and elements and things.
"Encounter is the fundamental thing. Meeting people, like the Troubadours (...) Film is an excuse to create a very special moment in the present, in the reality of now".
The Australian Aborigines used to say that "everything slumbers beneath the surface of the earth waiting to be called". - On the acoustic and visionary journey with Vincent Moon we go out to meet voices that continue to sing among the ruins, calling into existence another life, another reality, another truth.
"When I arrive at a place, I ask myself what is important to film today?" - Vincent Moon's visit is twofold: on the one hand to explore some experiences that are "important to film today"; on the other hand, a moment of encounter and projection in Barcelona, with his Live Cinema or Film-Trance - sound and visual exploration.
Vincent Moon's work connects with one of the investigations opened at the Unidentified Video Observatory : Silence in the awakening of worlds . At first, this research started from taking the visionary experience seriously and investigating the ways in which it unfolds, through the cracks of this world, from Surrealism to the current decline of naturalist secularism. In a second moment, which we have called first, during the immersion in the materials: The Mirror of the Night ("Mirrors: no one has yet described, knowing it,/ What you are in your being,/ You, like interstices of time,/ Filled only with holes of sieve. / You, still wasters of the empty room,/ At the hour of twilight, vast as forests..."); and now, at the moment of exposure and encounter: The black anti sun , which starts from taking seriously Rilke's intuition in the Sonnets to Orpheus: "Gesang ist Dasein" (To sing is to exist) .
«"But the great black anti-sols, wells of truth in the essential weft, in the grey veil of the curved sky, come and go and suck each other in, and people call them ABSENCES" (René Daumal). These splendours, the aim of the human being is to collect them (...). And it is precisely by fighting against the inertia of the body and the sleep of the soul, by practising techniques of awakening - physical awakening, spiritual awakening - a kind of "long, immense and thoughtful alteration of all the senses", that allows us to overcome the material and spiritual order of this world, in short, by leading a counter-life» (Jacques Lacarrière, Les gnostiques ).
William Burroughs giving thanks for the goods that will be consumed on Thanksgiving day: "Thank you for conspiracies and hypocrisies, thank you for a world where it is forbidden to talk, thank you for the turkey destined to be digested by American stomachs, thank you for a blessed nation".
Untitled/ Passport Interzone I /
/ Passport Interzone II /
SCREENINGS, PRESENTATIONS, DEBATES.
Centre Cívic Convent Sant Agustí
25 - 26 September 2024
Noble Hall from 6:30 pm to 10:00 pm
Beginning in the mid-1950s , Tangier emerged as a vibrant nexus for artists, poets, and intellectuals. Heavily influenced by the presence of Paul Bowles , members of the Beat Generation were drawn to this northern Moroccan city, seeking not only inspiration and completion of their creative works but also an escape into the mystique of the Moroccan dream. While some engaged meaningfully with the local culture, most were in pursuit of experiences that transcended the conventional confines of their realities.
During the era known as “INTERZONE ,” Tangier became a site where the East and West intersected in a chaotic interplay of misapprehensions, with each side anticipating revelations or secrets from the other. Yet, this encounter was often marked by mutual disillusionment; neither side fulfilled the other’s expectations, highlighting a deeper impasse in cross-cultural understanding. For some, Tangier represented a fertile ground for intercultural exchange; for many, however, it underscored the inadequacies inherent in reductive “culturalist” interpretations of reality.
In the anarchic vision of William S. Burroughs , cultural identities are seen as constructs shaped and manipulated by bureaucratic forces for strategic ends. His critique of the failed East-West encounter resonates with Edward Said ’s analysis of the flawed mutual perceptions each culture holds of the other. Said’s theory of Orientalism encapsulates the West’s constructed narrative of the Orient, a narrative subsequently appropriated and recontextualized by Eastern institutions. Tangier thus stands as a liminal space, a crossroads of these cultural “pharmacies.”
The film program, “TANGIER INTERZONE ” , endeavors to probe the porous boundary between reality and fiction, delving into the imaginative dimensions that shape our understanding of this “reality.”
TANGIER INTERZONE PROJECT / BEST OF
(CONCEPT AS IT IS) CREDITS:
Archival material is used to construct a family fable. A reflection on credibility and the possibilities of manipulating, reading and interpreting audio-visual "documents". 6th Independent Vídeo & Interactive Phenomena Show
UntitledLies can bring happiness if you realise they are real! A series of panels where you can meet the ever-ecstatic Teresa de Avila, the mightily phlegmatic Anubis and other perverted figures of a strange third mind world.
UntitledRemember Me is a dark, obsessive and emotive treatise on death. Its aim is to explore the intimate, personal and often secret relationships that people have with mortality and loss. The tape uses original and found footage to capture the complex web of emotions which surround death and to create a passionate journey through difficult private territories.
UntitledProbing Into Science CD-ROM is a computing artefact of a series of experiments....a science fetish, a semiotic drift, an algorithmic poem.
UntitledVisual poem
1998, Tangier. Conversations in the bar La Poste with Tangerian writer Mohammed Chukri and New York poet Ira Cohen, stories of death, separation and loss under the mantle of friendship.