Hay mish Eishi, features portraits of 8 Palestinian women from different social and religious backgrounds exploring how they live war and imagine peace in the profound depth of lived realities and felt pains. These are not unusual women, women leaders or exceptional women in the news media sense. They are media and theatre professionals, farming women, a cleaning woman, a boutique owner, a university student, a high school teenage girl, and housewives. These are the ordinary lives which make up the news and which the news makes invisible. They speak with passion, bewilderment, anger, rage and outrage?.they situate themselves in a life of dignity and productivity, where their lives and actions are not reduced to a bundle of fear.They speak of profound losses - of self and direction, livelihood, land, homes and family members. What they say so powerfully and directly through their hopes and wishes is that they want a life of meaning, of sharing, of giving, of routines and rituals, of loving and caring, of ordinariness with all its blessings and grace.They do not want the degrading, terrorizing drama of war

To Ikhlas, a young mother, the most important things in life are her two children, all that is left from an arranged marriage in her teens. Her youngest son Nasser was imprisoned by the Israelis when he was only 15 for defending the cause of the Palestine people. Ikhlas is willing to accept any sacrifice in order to remain in contact with him, but she cannot help wondering whether this is really what her people need to do in order to defend themselves.

This highly kinetic tableaux of uprooted sights and sounds works most earnestly to expose the racial biases concealed in familiar images. Relying on valuable snippets from feature films such as Exodus, Lawrence of Arabia, Black Sunday, Little Drummer Girls, and network news shows, the filmmakers have constructed an oddly wry narrative, mimicking the history of Mid East politics.

Jenin Jenin, directed and co-produced by Palestinian actor and director Mohamed Bakri, includes testimony from Jenin residents after the Israeli army's Defensive Wall operation, during which the city and camp were the scenes of fierce fighting. The operation ended with Jenin flattened and scores of Palestinians dead. Palestinians as well as numerous human rights groups accused Israel of committing war crimes in the April 2002 attack on the refugee camp. Jenin Jenin shows the extent to which the prolonged oppression and terror has affected the state of mind of the Palestinian inhabitants of Jenin.

In this documentary, the late 19th century birth of Zionism - and its repercussions for Palestinians- is detailed with original source documents, Zionist leaders' quotations, rare archival footage, testimonies of witnesses and interviews with historians. All help to illustrate that the expulsion of the indigenous Arab population from Palestine was far from an accidental result of the 1948 war. This award-winning film shines a spotlight on the ethnic cleansing of Palestine by the Zionist movement.

On March 31, 2002, Samir Abdallah, a filmmaker who was part of a civil mission to provide humanitarian aid to the Palestinian people, entered the Muqata (the compound containing the headquarters of Palestinian president Yasser Arafat), under siege by the Israeli army.

This film takes you to the city of Ramallah during the 2nd-and not last invasion by Israeli troops in April 2002. It is what I saw, heard and experienced starting from neighborhood moving to the city destruction.

The experiences of a young Arab American, Christian woman travelling on her own in the occupied territories of the West Bank and Gaza Strip during the summer of 2002. The film is a reflection on the complexity of Palestinian existence and the disturbing "ordinariness" of living under constant curfew. Forbidden to Wander is also the journey of personal discovery for the filmmaker, the wanderer who falls in love with a Palestinian man in Gaza.