The author of this film hitchhiked from Tarragona to Pakistan with the object of shooting a film in the so-called “Islamic” countries, and doing so in a fashion that is different from the usual media stereotypes that pigeon-hole women. For thirteen months, she travelled and lived in Bosnia, Turkey, Iran, Afghanistan and Pakistan. Unveiled Views portrays the lives of five women she met during her sojourn. These women have chosen art as a way to express themselves: public performances, cinema, music, poetry and dance are the tools they use -each in her own particular way- to unveil a personal vision of life.

A musical excerpt from the film Asoo Billa, starring a woman enslaved by a male chauvinist husband who is rescued by a group of mystic dervishes.

Above all, Mast Qalandar (Ecstasy) is a look at heterodoxy and a celebration of its existence. Qalandars are a Sufi brotherhood of roaming dervishes who once ranged through an arch that crossed Asia, from Turkey to Pakistan and India. They are characterized by extreme mystical devotion and their revolutionary and anti-dogmatic attitudes within Islam, such as use of hachis and the rejection of alcohol and free submission to Haqq, the truth, which they see as the absence of limits rather than something which narrows and defines horizons. “Mast Qalandar” immerses us in the ritual encounter of these dervishes around the grave of the brotherhood's founder in Pakistan. A vision of heir devotion to “the beloved” that leads them into trance and ecstasy, where death means simply to “draw aside a veil”. Available online until December 27th 2020.