A thundering diatribe against the abuses of capital and the language, the presence of the body-thing.

Acclaimed German filmmaker Alexander Kluge, one of the most relentlessly innovative and intellectual figures in contemporary German cinema/ has in recent years produced a remarkable series of works for television. Produced for the German television program "Ten to Eleven" this series comprises an extraordinarily rich body of work that compliments and dialogues with Kluge's films. Traversing realms of desire and culture in the 19th and 20th centuries, these highly experimental works weave together eclectic scenarios that reference advertising, cinema, opera, and electronic communications, and culminate in an ironic critical discourse on fantasy, representation, and history.

Acclaimed German filmmaker Alexander Kluge, one of the most relentlessly innovative and intellectual figures in contemporary German cinema/ has in recent years produced a remarkable series of works for television. Produced for the German television program "Ten to Eleven" this series comprises an extraordinarily rich body of work that compliments and dialogues with Kluge's films. Traversing realms of desire and culture in the 19th and 20th centuries, these highly experimental works weave together eclectic scenarios that reference advertising, cinema, opera, and electronic communications, and culminate in an ironic critical discourse on fantasy, representation, and history.

  „Won’t ask you, wish I was going with you.“ (Jack Nicholson in „Easy Rider“) „Get in, drive, arrive (give or take an accident or two!). Zimmer used these as leaders when arranging a large number of film fragments with the car as central theme.The silence of the drivers is emphasised by the sound of slamming doors, roaring engines, exploding tyres, screeching brakes and explosions.“ (Katalog Impakt Festival, Utrecht 1997)