"Electrophase' is a video-graphic expansion of Mark Bain's 'machine environment' installation 'Interphase'. Bain's computer-manipulated images of this mechanical sculpture - which, like the tape, comes across as the creation of a contemporary and lyrical constructivist - are combined with differing, machine-like sounds. The pulsating image is dynamic, and constantly changing in colour and tempo. The sound, which appears to have been injected directly into the electronic, abstracted images, both influences and directs the image, and vice-versa. Ultimately this gives rise to a form of synthesis whereby the seperate elements fuse together into a surprising and alternative single entity, which reaches, and intrigues, our senses as 'Electrophase', a new 'synthetic …

Time and memory in a jungle village.

Denial shows a straight shot of Whitehurst continually coming towards and receding from the camera in a powered chair. She doesn't speak on screen but we hear a voice (her voice?) asking a series of questions but there is no reply.

Inside of the skin, start my exclusive jurisdiction. I choose what may or may not cross that border. I am a sovereign, and the edge of my skin, I find then much more sacred than the political borders of any country. / Antonio Escohotado

Appears to be images recorded on the street, paradoxically superimposed with a commercial music audio track.