On the Vivaldi's Winter theme from the Four Seasons, a series of still images of a young man in bed while he's sleeping, reading, dreaming.

“The following is a true fact about American feminism: Courtney Love’s mother was Katherine Power’s therapist. GOOD SISTER/BAD SISTER is about fugitivism. Therapy. Rock and roll. FBI harassment of lesbians. The legacy and memory of radical feminism. Lipstick. Violence. Surrender. Bank-robbing. Generational politics. History. Through documentary technique, such as talking-head interviews and dramatic re-creations, Johnson connects notorious baby-doll grunge rocker Courtney Love with Katherine Power, a sixties activist and fugitive of the FBI for 23 years. Through the link of Linda Carroll, who is coincidentally both Love’s estranged mother and Power’s therapist, Johnson creates a multi-layered dialogue between the women that exemplifies and comments on female transgression within the public arena. When feminism is still the dirty F word of the Nineties, how do women fight American disorder without just being bad girls in a male-defined world' [...] Just because the sixties was a mind fuck, does it mean that we can never ask Utopian questions again?” – Berlin Film Festival 1997

Gibbons presents his oppressive relationship with his dog.

Insanity is a cure. Techniques, digital technology and media landscapes seen by topographers in dreams. Territories of sorrow, hope and meaning. Felt meaning.

Deliberations on death.

The context around young men refusing to do military service, and their battles.

The Society of the Spectacle.