Infiltration into the convention of a major American political party. The independent video maker enters the convention very discreetly and within a few minutes reaches the presidential stratum. 3 Mostra de Vídeo Independent de Barcelona 1996.

Through the information storm we can sense the media schizophrenia that coexists with any television viewer. Without apparent criterion, the media concoct an isolationist costume. 3 Mostra de Vídeo Independent de Barcelona 1996.

Film promoting use of Technicolor process to industrial film producers. (The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is often hidden behind the media curtain.) 3 Mostra de Vídeo Independent de Barcelona 1996.

Once the technology had created the first standards for recording, the video reached a level of ease of operation that allowed him develop as a reflective mechanism for the return of altered media icons, the contrast between the object and projecting simulated sinister and dark original. Exploring the development, Dara Birnbaum performed in the late seventies a classical piece, Technology Transformation: Wonder Woman, an intensive review of the role of women in television at the time, from the use of part of the series Wonder Woman television. 3 Mostra de Vídeo Independent de Barcelona 1996.

3 Mostra de Vídeo Independent de Barcelona 1996.

This video of DeeDee Halleck is a look at the american media representation of Latin America. Since the early twentieth century in the U.S., media have promoted stereotypes of Latin America to justify the concept of dominance and leadership throughout the hemisphere. 3 Mostra de Vídeo Independent de Barcelona 1996.

A video in three parts, reversed soundtracks and classic sequences of Hitchcock films. 3 Mostra de Vídeo Independent de Barcelona 1996.

Because subliminal inculturation is not always consciously recognized, Tanaka strives for her work to incorporate a primary visceral effect with an analytical statement reflecting the multiplicity of a particular experience and observation. Accordingly, in Beaver Valley more personal black and white footage contrasts sharply with slick media images of Marilyn Monroe and designer jeans; the myth of woman is returned for a refund. 3 Mostra de Vídeo Independent de Barcelona 1996.