"Fit To Be Tied" is an individual portrait of the political community, "brokers" and businessmen in the city of Chicago, through a brief interview in which the only question is "Why wear a tie?". The answers, of a rich variety, places us before an individual analyzing their own representation, though less explicitly the portrait is about the link each of these individuals establishes with the camera and with the one who holds it, often recognized as a foreigner.
Untitledovni 1996
101 Archival description results for ovni 1996
3 Mostra de Vídeo Independent de Barcelona 1996.
UntitledThe catalog of promises of a conservative American politician serves to affix some underwear as a souvenir. 3 Mostra de Vídeo Independent de Barcelona 1996.
Untitled3 Mostra de Vídeo Independent de Barcelona 1996.
Untitled3 Mostra de Vídeo Independent de Barcelona 1996.
UntitledRecycling a video loop on the explanation how television works, creates the framework for a structural demonstration on the deconstruction of the video signal. This is done by copying the tape over and over again with two VHS-recorders until the picture and sound disintegrate into noise. 3 Mostra de Vídeo Independent de Barcelona 1996.
UntitledThe Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is often hidden behind the media curtain. 3 Mostra de Vídeo Independent de Barcelona 1996.
UntitledSet at the 1956 General Motors Motorama, this is one of the key Populuxe films of the 1950s, showing futuristic dream cars and Frigidaire's "Kitchen of the Future". The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is often hidden behind the media curtain. 3 Mostra de Vídeo Independent de Barcelona 1996.
UntitledA view of Las Vegas in the 1950s. Casinos and nuclear tests uncover the dark side of the American dream. 3 Mostra de Vídeo Independent de Barcelona 1996.
During nocturnal visits to the self through Sonia. X: And you why....are you like that? S: Because since I was born I am like that. X: Repeat I am culture... S: I... am culture. 3 Mostra de Vídeo Independent de Barcelona 1996.