Qualb el Umur (QU) is a project of the Arab Education Forum. It provides spaces and opportunities for people, especially young people, to work in small groups, to reflect on and express their work and experiences, and interact, learn, communicate, and build. This film is the first products of the QU project in Palestine and were done in cooperation with Palestine Mirror Production and the popular Art Center. The Children were given the space to work on their own films and learn and grow through reflecting on their life and trough teamwork. In the film A Day in our Life, the children aged 12-16 years present their life in the Amari refugee camp in Ramallah. They use documentary as well as role play to introduce the audience to details of daily life in a refugee camp in Ramallah, including people's memory which is an integral part of their life.
ocupación
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“Avenge But One of My Two Eyes” is a ramble between three arenas at the height of the “El Aqsa” Intifada: the practice of the Masada cult, reinvented in the mid-1940s and interwoven with the leading Zionist discourse, the condition of oppression and besiegement of the Palestinian people in the occupied territories, and the continuous religious and secular cult of Samson, aka “Samson the Hero”. Real places, times and situations penetrate one another and integrate, presenting the Israeli reality as it is: embroiled, violent, suicidal.
UntitledIn March 2006, Code Pink invited eight Iraqi Women to the U.S. to speak about their experiences under the U.S. invasion and occupation. They were doctors, engineers, professors, and journalists. Two of the women had their entire families killed by U.S. troops. They were denied visas to enter the U.S. on the grounds that they did not have sufficient family to guarantee they would return to Iraq. The six women who were given visas travelled separately to dozens of cities throughout the U.S., speaking with community groups, churches, veterans, and the families of active duty GIs.
UntitledThis film takes you to the city of Ramallah during the 2nd-and not last invasion by Israeli troops in April 2002. It is what I saw, heard and experienced starting from neighborhood moving to the city destruction.
UntitledECOSYSTEMIC MEMORIES OF THE CITY
NON-SUBMISSIVE LANDSCAPES
ECOSYSTEMIC MEMORIES OF THE CITY
Collaboration with Bornlab (El Borne CCM) for a collective approach to the contemporary imaginary of natural resources and territory, based on the sharing of current geopolitical issues that have an echo in the city of Barcelona.
This edition of the community studies group "Ecosystemic memories of the city" proposes a series of sessions in which we collectively approach the contemporary imaginary of natural resources and territory, based on the sharing of some current geopolitical issues that have an echo in the city of Barcelona.
Natural resources and the territory, based on the sharing of some current geopolitical issues that have an echo in the city of Barcelona. Through the contributions of various entities and people who connect us with critical archives, social actions and cultural initiatives in the city, we will address the recovery of community forms of agricultural social organization in contemporary pedagogies, images and slogans of movements for the protection of the land, as well as the reflection, from various worldviews, on cultural heritage and in connection with environmental issues that affect different international contexts.
The programme is organised in a participatory methodology that includes working groups where knowledge is pooled and perspectives are shared between guests and participants. In the different meetings, cultural proposals are discussed to explore the relationship between memory, community and ecology through collaborative experimentation and public action, which are included in the fanzine that is distributed in the closing session.
The Community Studies Group is a proposal of Bornlab, the community mediation programme of Borne CCM with the support of community mediation programme of Borne CCM in collaboration with Coalició Prou Complicitat amb Israel, La Colectiva de Chilenas de Barcelona, Comunitat Palestina de Barcelona, Laboratorio Móvil, OVNI (observatori de Vídeo No identificat) , Ruangrupa i docents i investigadores de l’Institut Català d’Antropologia, el Col·legi de Psicòlegs de Barcelona, l’Escola Massana and la Universitat de Barcelona.
Further information and registration: elbornculturaimemoria
NON-SUBMISSIVE LANDSCAPES
Thursday 8.2.24 from 6 p.m. to 7.30 p.m.
Through the audiovisual archive, we will reflect on movements led by communities in Chiapas, Palestine and Ecuador who are
Chiapas, Palestine and Ecuador who are organising themselves against the deterioration of their ecosystems and claiming the right to use and protect their land.
1_ Land and traditions
Qualb el Umur (QU) is a project of the Arab Education Forum.It provides spaces and opportunities for people, especially young people, to work in small groups, to reflect on and express their work and experiences, and interact, learn, communicate, and build. This film is the first products of the Qu project in Palestine and were done in cooperation with Palestine Mirror Production and the popular Art Center. The Children were given the space to work on their own films and learn and grow through reflecting on their life and trough teamwork.
/ CONTEXT 1994 - 2020
The word resistance is starting to gain currency in places and cultures all over the world, joining those that have never stopped practicing it. Resistance implies negation, the blocking of a process or power, but it also contains an affirmation: that there are other ways of doing, thinking, living. Minorities and majorities marginalized in their own land practice it in various active and passive ways. Today, this practice is bringing together very diverse cultures and peoples, some totally unconnected, that are starting to become aware of each other, to talk of each other amongst themselves in this struggle.
These resistances with their different origins and languages are being exercised against the expansion of a hegemonic " single thought " , a single way of understanding history and progress. This is often called " the West " ,...an amorphous, symbolic concept that initially referred to Europe, in particular the old European powers called the " western powers " , and then as the economic system expanded, to the United States of North America and even its allies in the Far and Middle East. Now the West seems to refer to an economic system and the culture it produces rather than the geographic sense.
What seems certain is that the Western imaginary needed to construct itself in opposition to another even larger and less exact invention: the Orient. The idea of " the Orient " was born as a result of the expansion of the " colonial powers " , and applied equally to the entire area ranging from the Maghreb to the Far East. As a new object of desire, it joined other previously conquered " uncivilized " territories, " indigenous peoples " , or the elusive " el Dorado " , etc...
It's important to recognise that the idea of the West itself was also constructed through the negation of its own diversity and heterodoxy, the violent negation of its own history(ies), and required the invention of an imaginary and exclusive genealogy in which one period succeeded the next, unopposed: classical antiquity, the Roman empire, Christianity, rationalism, the enlightenment, positivism, capitalism...all of them reinterpreted as gentle stereotypes with no violence or edge, ready for identity consumption. And so the " classical " was redefined as aristocratic origins already dominating the proto Orient or the " Persian enemy " , the Roman empire as a cruel but unifying force, Christianity as a sometimes fanatical and hypocritical but in the end civilising force, the Enlightenment as liberating and humanist in spite of its despotism and colonising approach to knowledge. And to top it off: the idea of never-ending, linear, acritical progress; and of capitalism as the ultimate guarantee of freedom ... The gradual technological hegemony is added to the succession and has arrived to test its raison d'etre and its power.
This genealogical construction rests on the global society of consumption, and its hard core that has concentrated in the web of interests of the giant oil, pharmaceutical and military industry companies, which project a spectacular world through the mass media. A way of colonising desire and fears through images and slogans, but above all a mechanism for reversibility, in which not only success and triumph but also tragedy and disaster, even our own, are instantly turned to profit through the spectacle of consumption. In this process, the idea of a single economy based on permanent and aggressive growth and the dogma of technological euphoria play key roles. Even moderate voices calling for sustainable models don't try to depart from this radical economic model, they may modulate the degree of aggressiveness, but not growth itself. The global society of consumption is so because it consumes to the point of extinction not just products but also natural resources, people and communities.
This expansive economy is generating a state of permanent conflict with many fronts: obviously military interventions, repression, occupation. But also in the field of food: local products are increasingly playing a minority role (whether marginal or elitist) and the presence and accessibility of global processed products is increasing on the free(?) market. The concept of intensive and industrialised agriculture is literally being imposed, an idea in which all processes: genetically modified seeds, fertilisers, pesticides, etc...form a single package... The planet's natural resources are coming under the prism of private property and exploitation, not just raw materials and fuels but also water, on which speculating investments are starting to converge. Public and private medicine is infiltrated by the interests of the pharmaceutical giants, not only in the virtually undisputed empire of chemical medicine, but also in the concept of what public health implies, fighting, discrediting or ignoring preventative practices and their inescapable link with education. In fact, the education system's most utopian end seems to be ergonomic adjustment to the needs of " the market " . To introduce content or practices that are not necessarily even critical, just foreign to these needs, is perceived as noise, an obstacle.
The mass media is mainly fed by ready-made news from the few major news agencies. As a group, their effect is a constant resetting of events, which are presented as a series absurdities. They propagate the idea of a hyper-privileged West in contrast to an " underdeveloped " and always suffering world, that could only possibly be of interest as a tourist destination (and, in fact, " tourists get to the places where armies don't " ). In this way, day by day, they create a single perception of poverty and wealth. The third-world media image of a boy soldier participating in incomprehensible wars, that touches the consciences of so many, never finds its parallel in the increasingly common image of a western child devoting hours to violent videogames, with some of the best-selling games being versions of military training programs.
But in these areas too, resistance persists and is growing, not always ideologically or consciously, and in ways that are different because they respond to specific contexts, cultures and traditions that vary widely from each other. We should then speak about resistances. Some of these arise from western critical thought, the remains of shipwrecked liberating ideologies, alternative practices, new foundations and connections... Others arise from the indigenous rhizome that extends unevenly throughout the world and knows that constant aggression against the earth and nature is a self-destructive process, destroying our resources and also our knowledge. Other radical resistances arise from cultures, like the now-demonised Islamic culture, a culture that is barely known and which has suffered almost 10 million victims (1) in the last decade while the West remained largely silent,... and from many other positions, religions and practices that increasingly need the awareness of the others and mutual respect. A key dialogue for accepting our knowledge and practical diversity and for self-criticism in relation to the totalitarian, exclusive aspects that exist in almost every culture. In this respect Europe and by extension the West, in spite of the majestic role it has assigned itself in the history of humanity and the construction of freedom and human rights, can hardly claim to have a model record in terms of racial, religious or national tolerance, even compared to neighbouring cultures. Paradoxically, even some parts of current critical thought and activism too easily reproduce and extend ethnocentric criteria.
OVNI 2005 Resistances will program and then include in the Observatory Archives a series of audiovisual works (155), mostly independent documentaries, media archaeology, agit-prop,.. that tell us of different forms of resistance and conflicts. From their dive
The Purple Meridians III
The Purple Meridians III
Over the past two years, a total of 19 filmmakers based in the three countries have met, online and in person, to discuss obstacles they face as women and non-binary people in the audiovisual industry, to exchange ideas and resources, and to create together.
Preparations are underway in Italy , Turkey , Catalonia and the Basque Country for the third edition of The Purple Meridians 2023 , with the Gender Equality sponsorship by Eurimages .
This year, the project will have its public and main event at the Durango Book-Music-Cinema Fair on 7 December . Durango is a city in the Basque Country and has been chosen by the organizers of The Purple Meridians to expand even further – as is the purpose of this project – the connections among women filmmakers in Europe and beyond.
The choice of the Basque Country was therefore a ‘natural’ development as Basque filmmakers followed the first two Purple Meridians albeit ‘from a distance’. The program in the Basque Country will be possible thanks to the collaboration with the Durango Book Fair and Suargi Elkartea.
Two main themes would be the focus of this third event:
the difficulties, responses, proposals for women in the audiovisual industry to conjugate work and care work (maternity, care of children, care of elderly, care of ill partner/family member etc) and for women with disabilities.
These two themes will be discussed in a 2-session conference in Durango to be held on 7 December 2023.
Two filmmakers directly and most affected by this situation will be leading the discussion, Lisa Çalan and Ahu Ozturk . The two filmmakers, both Kurdish, will work with Basque filmmakers (who are exploring these issues in their films and who this year will be presenting a manifesto about ‘care’), as well as with the other filmmakers of The Purple Meridians (from Italy and Catalonia), not only in exposing the problems, but also in proposing answers, keeping in mind that one of the pillars of The Purple Meridians project is creating networks among women filmmakers in different countries.
The speakers will be:
Lisa Çalan, Ahu Öztürk (from Turkey, TPM), internationally acclaimed Basque actress Itziar Ituño (La Casa de Papel), Basque directors Ainhoa Olaso (winner of the Aukera program) and Estibaliz Urresola (awarded in Berlin 2023), Catalan director Lara Vilanova (TPM), Italian director Claudia Tosi (TPM), Argentine scriptwriter based in Belfast Luciana de Mello , Lebanese director Mary Jirmanus Saba , Kurdish director Sevinaz Evdike (Women Filmmakers Collective Kezi), and director Elli (Post Collective - Buriatia, Greece, Syria, Belgium).
The day will be accompanied by the screening at Irudienea (12:30h-13:30h) of Estibaliz Urresola's short film, Cuerdas , and a Work in Progress by Mary Jirmanus Saba.
At 19:00 h, the filmmakers will present to the press a summary of the conference's work.
The press conference will feature also an intervention by a Palestinian filmmaker.
The film tells of the lives of four young men in a refugee camp who dream of inviting Rogers Waters (Pink Floyd) to give a concert in their camp, thus giving us an insight into the lives of these young men, their struggles and the daily hardships they face in order to survive.
UntitledHe asked me: “Ms Ziadah, don’t you think that everything would be resolved if you would just stop teaching so much hatred to your children? (...). Pause. I look inside me for strength to be patient but patience is not at the tip of my tongue as the bombs drop over Gaza. Patience has just escaped me. Pause. Smile. We teach life, sir! (...) These are not two equal sides: occupier and occupied. And a hundred dead, two hundred dead, and a thousand dead. (...) Is anybody out there? Will anyone listen? I wish I could wail over their bodies. I wish I could just run barefoot in every refugee camp and hold every child, cover their ears so they wouldn't have to hear the sound of bombing for the rest of their life the way I do. (...) Today my body was a TV’d massacre. We teach life, sir. We Palestinians wake up every morning to teach the rest of the world life, sir.”
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