Intimists and emblematic portraits tell the current destiny of the peuls of West Africa. In Mali, one of the poorest states of the world, these people are confronted with the terrible question of his future. In a malian society in full transformation, can the traditions and the way of life of these seminomad shepherds continue to exist in front of the inevitable modernization of the country? Through a touching meeting with this traditional culture, the narrative shows the universal movement of transformation of rural mentalities.
nomada
3 Archival description results for nomada
“Socotra, the island of djinns” is based on the book “Socotra, la isla de los genios” published by Atalanta ediciones. The film is the story of a trip on the remote island of Socotra in the Indian Ocean, known in antiquity for its Phoenix and Rukh birds. In the rest of the Indian Ocean, the monsoon winds, have propitiated commerce and civilisation. Without any bay or natural port and surrounded by reefs, Socotra is isolated during the monsoon when is imposible to land. This isolation has preserved a unique environment. Frankincense and myrrh trees grow freely on Socotra.The dragon blood tree unique to the island has sap that is a red as blood. It was used by the gladiators of Ancient Rome to cover their skin and to protect it from injuries. The varnish that gave a unique and precious touch to Stradivarius violins, is also credited to the sap of the tree, a secret kept by the luthiers of Cremona. On the journey are Ahmed Afrar, youngest son of the late sultan of Socotra, some companions and three cameleers with their animals. They trek to the mountains before the rainy season. En route to visit relatives, the socotrians speak tell stories by the fire. During the night, conversation turns to legends of djinns and monstrous snakes that dwell in the cavernous interior of the island. A surprising and vanishing world is revealed. Is the first and only movie spoken entirelly in the genuine socotrian language, A southern arabian language related to the old language of the Kingdom of Sheba.
UntitledDrawing from stories of flight, exile, interminable waiting and arrest, and persecuted lives on both sides of the wall that divides the Western Sahara, Territoire perdu bears witness to the Sahrawi people, their land and their entrapment in other people’s dreams. The film juxtaposes sonorous landscapes, black-and-white portraits and nomadic poetics.
Untitled