NeoCapitalismo

Elements area

Taxonomy

Code

Scope note(s)

    Source note(s)

      Display note(s)

        Hierarchical terms

        NeoCapitalismo

          Equivalent terms

          NeoCapitalismo

            Associated terms

            NeoCapitalismo

              18 Archival description results for NeoCapitalismo

              18 results directly related Exclude narrower terms
              ES ES-OVNI CTX-S014-SS006-0002 · Item · 2010
              Part of Non-Identified Video Observatory (OVNI)

              This documentary portrays Dubai as the latest neo-capitalist nightmare: a virtual reality reminiscent of Second Life, brought into being by the sweat of an immigrant workforce. What are the real working conditions in Dubai?. The epilogue, shot in the greenhouses of Almeria and Melilla in Spain, shows the similarities of a global business model. In this sense, "Dubai is in all of us".

              Untitled
              The Diamond Life
              ES ES-OVNI CTX-S009-SS002-0021 · Item · 2001
              Part of Non-Identified Video Observatory (OVNI)

              A brutal look at the atrocities commited by Sierra Leona rebels and the complicity of the international diamomd cartels, cut to the haunting music of Peter Gabriel.

              Untitled
              Taking Liberties
              ES ES-OVNI CTX-S014-SS001-0096 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              The shocking truth about the erosion of our fundamental civil liberties by Tony Blair's government. The Right to Protest, the Right to Freedom of Speech. The Right to Privacy. The Right not to be detained without charge, Innocent Until Proven Guilty. Prohibition from Torture. Taking Liberties will reveal how these six central pillars of liberty have been systematically destroyed by New Labour, and the freedoms of the British people stolen from under their noses amidst a climate of fear created by the media and the government itself. Irreverent but revelatory, outrageous but true, the program combines these real stories of the loss of liberty with never-before-seen footage, cheeky stunts and comment from leading politicians, celebrities, human rights organisations, academics and lawyers, which all add up to make Taking Liberties one of the most explosive and controversial films of the decade.

              Untitled
              Suffering and Smiling
              ES ES-OVNI CTX-S012-SS001-0002 · Item · 2006
              Part of Non-Identified Video Observatory (OVNI)

              Following Nigeria's independence in 1960, the British left the country but multinationals began to proliferate thought the land, specially after the discovery of the region's largest oil well. Agriculture, which had previously given the country a degree of economic equilibrium, was hurt by the agreement between Nigeria's new leaders and foreign investors, which resulted in the expansion of the oil fiends and the destruction of agricultural land. The documentary reflects this situation through the musician and political activist Fela Kuti and his son Fema Kuti. Music is depicted as the awakening of a conscience, as a celebration of life and African roots, and as an indictment of a government that acts as a franchise of western multinationals.

              Untitled
              ES ES-OVNI CTX-S010-SS007-0068 · Item · 2003
              Part of Non-Identified Video Observatory (OVNI)

              Street vendors work in the cracks of globalization. They sell the fetishes of commercial globalization - Hulk statues, 7-Up, national and international currencies - but not on the official market, from which they've been left out. It's a persistent, daily effort, Sisyphean and heroic at the same time, for despite the artfulness of the work, the jingles, the heckling,the sweat, nothing much happens (compared to the profits made by the crusaders of globalization), the world just streams by, and at the end of the day you pack up your things and leave and in your absence the world keeps on going without you.

              Untitled
              Resistances
              ES ES-OVNI CTX-S010 · Series · 2005
              Part of Non-Identified Video Observatory (OVNI)

              / CONTEXT 1994 - 2020

              The word resistance is starting to gain currency in places and cultures all over the world, joining those that have never stopped practicing it. Resistance implies negation, the blocking of a process or power, but it also contains an affirmation: that there are other ways of doing, thinking, living. Minorities and majorities marginalized in their own land practice it in various active and passive ways. Today, this practice is bringing together very diverse cultures and peoples, some totally unconnected, that are starting to become aware of each other, to talk of each other amongst themselves in this struggle.

              These resistances with their different origins and languages are being exercised against the expansion of a hegemonic " single thought " , a single way of understanding history and progress. This is often called " the West " ,...an amorphous, symbolic concept that initially referred to Europe, in particular the old European powers called the " western powers " , and then as the economic system expanded, to the United States of North America and even its allies in the Far and Middle East. Now the West seems to refer to an economic system and the culture it produces rather than the geographic sense.

              What seems certain is that the Western imaginary needed to construct itself in opposition to another even larger and less exact invention: the Orient. The idea of " the Orient " was born as a result of the expansion of the " colonial powers " , and applied equally to the entire area ranging from the Maghreb to the Far East. As a new object of desire, it joined other previously conquered " uncivilized " territories, " indigenous peoples " , or the elusive " el Dorado " , etc...

              It's important to recognise that the idea of the West itself was also constructed through the negation of its own diversity and heterodoxy, the violent negation of its own history(ies), and required the invention of an imaginary and exclusive genealogy in which one period succeeded the next, unopposed: classical antiquity, the Roman empire, Christianity, rationalism, the enlightenment, positivism, capitalism...all of them reinterpreted as gentle stereotypes with no violence or edge, ready for identity consumption. And so the " classical " was redefined as aristocratic origins already dominating the proto Orient or the " Persian enemy " , the Roman empire as a cruel but unifying force, Christianity as a sometimes fanatical and hypocritical but in the end civilising force, the Enlightenment as liberating and humanist in spite of its despotism and colonising approach to knowledge. And to top it off: the idea of never-ending, linear, acritical progress; and of capitalism as the ultimate guarantee of freedom ... The gradual technological hegemony is added to the succession and has arrived to test its raison d'etre and its power.

              This genealogical construction rests on the global society of consumption, and its hard core that has concentrated in the web of interests of the giant oil, pharmaceutical and military industry companies, which project a spectacular world through the mass media. A way of colonising desire and fears through images and slogans, but above all a mechanism for reversibility, in which not only success and triumph but also tragedy and disaster, even our own, are instantly turned to profit through the spectacle of consumption. In this process, the idea of a single economy based on permanent and aggressive growth and the dogma of technological euphoria play key roles. Even moderate voices calling for sustainable models don't try to depart from this radical economic model, they may modulate the degree of aggressiveness, but not growth itself. The global society of consumption is so because it consumes to the point of extinction not just products but also natural resources, people and communities.

              This expansive economy is generating a state of permanent conflict with many fronts: obviously military interventions, repression, occupation. But also in the field of food: local products are increasingly playing a minority role (whether marginal or elitist) and the presence and accessibility of global processed products is increasing on the free(?) market. The concept of intensive and industrialised agriculture is literally being imposed, an idea in which all processes: genetically modified seeds, fertilisers, pesticides, etc...form a single package... The planet's natural resources are coming under the prism of private property and exploitation, not just raw materials and fuels but also water, on which speculating investments are starting to converge. Public and private medicine is infiltrated by the interests of the pharmaceutical giants, not only in the virtually undisputed empire of chemical medicine, but also in the concept of what public health implies, fighting, discrediting or ignoring preventative practices and their inescapable link with education. In fact, the education system's most utopian end seems to be ergonomic adjustment to the needs of " the market " . To introduce content or practices that are not necessarily even critical, just foreign to these needs, is perceived as noise, an obstacle.

              The mass media is mainly fed by ready-made news from the few major news agencies. As a group, their effect is a constant resetting of events, which are presented as a series absurdities. They propagate the idea of a hyper-privileged West in contrast to an " underdeveloped " and always suffering world, that could only possibly be of interest as a tourist destination (and, in fact, " tourists get to the places where armies don't " ). In this way, day by day, they create a single perception of poverty and wealth. The third-world media image of a boy soldier participating in incomprehensible wars, that touches the consciences of so many, never finds its parallel in the increasingly common image of a western child devoting hours to violent videogames, with some of the best-selling games being versions of military training programs.

              But in these areas too, resistance persists and is growing, not always ideologically or consciously, and in ways that are different because they respond to specific contexts, cultures and traditions that vary widely from each other. We should then speak about resistances. Some of these arise from western critical thought, the remains of shipwrecked liberating ideologies, alternative practices, new foundations and connections... Others arise from the indigenous rhizome that extends unevenly throughout the world and knows that constant aggression against the earth and nature is a self-destructive process, destroying our resources and also our knowledge. Other radical resistances arise from cultures, like the now-demonised Islamic culture, a culture that is barely known and which has suffered almost 10 million victims (1) in the last decade while the West remained largely silent,... and from many other positions, religions and practices that increasingly need the awareness of the others and mutual respect. A key dialogue for accepting our knowledge and practical diversity and for self-criticism in relation to the totalitarian, exclusive aspects that exist in almost every culture. In this respect Europe and by extension the West, in spite of the majestic role it has assigned itself in the history of humanity and the construction of freedom and human rights, can hardly claim to have a model record in terms of racial, religious or national tolerance, even compared to neighbouring cultures. Paradoxically, even some parts of current critical thought and activism too easily reproduce and extend ethnocentric criteria.

              OVNI 2005 Resistances will program and then include in the Observatory Archives a series of audiovisual works (155), mostly independent documentaries, media archaeology, agit-prop,.. that tell us of different forms of resistance and conflicts. From their dive

              Office Tigers
              ES ES-OVNI CTX-S012-SS002-0012 · Item · 2006
              Part of Non-Identified Video Observatory (OVNI)

              Today's aggressive management techniques and the cult of outsourcing and speed have spawned new monster-companies, proud of those very values they had been criticized for. One of them is Office Tiger, a transnational hybrid specializing in document-processing for big enterprises. As with the bubble of start-up dotcoms, there comes a time when work itself takes second place and what matters is the staff's attitude – in part ambition, in part a heroic, self-punishing sense of dedication.

              Untitled
              Minsk
              ES ES-OVNI CTX-S012-SS007-0031 · Item · 2006
              Part of Non-Identified Video Observatory (OVNI)

              After many years of living overseas, the director meets his father in Shenzhen. The setting of the film is a Russian- made aircraft carrier named Minsk, which seems to have the same life experience as the director. With its past glory and memories, this huge carrier is now a major commercial opportunity. Chinese and foreign tourist swap their roles here. The way the director sees it, Minsk has been transformed from an enormous war machine into a money making machine.

              Untitled
              Mine de rien
              ES ES-OVNI CTX-S010-SS006-0007 · Item · 2004
              Part of Non-Identified Video Observatory (OVNI)

              Karaganda, Kazakhstan's second-largest city, located to the south of the steppes, was built in 1930 by displaced prisoners over a coalfield in the immense Karlag. Today, the basis of the city's economy is disappearing, leading to considerable impoverishment. « Mine de Rien » documents a time of instability, of transition between two states, feeling abandonment and capitalist hope. A state that has passed and a state which is just starting, intangible, inevitable. The film follows this transition, which generates chaos, adaptation and suffering, revealing the impossibility of being : at a time when human beings can no longer be considered as a mass, but a sum of individuals. En exploding population mapped over the geographical structure of the city.

              Untitled