Ten unemployed men and women talk about why and how they've decided to stop working. After a period of familiarity with the labour market, these men and women have turned away from factories, warehouses and offices, determined to reject the rules of the existing economic war. Far from the usual worried or depressed image of the unemployed these “unemployed people who don't ask for work” openly talk about their reasons for seeking fulfilment outside of the workplace, with little financial resources but plenty of time to spend on themselves

Consuming Kids throws desperately needed light on the practices of a relentless multi-billion dollar marketing machine that now sells kids and their parents everything from junk food and violent video games to bogus educational products and the family car. Drawing on the insights of health care professionals, children's advocates, and industry insiders, the film focuses on the explosive growth of child marketing in the wake of deregulation, showing how youth marketers have used the latest advances in psychology, anthropology and neuroscience to transform American children into one of the most powerful and profitable consumer demographics in the world.

Stranger than fiction... In 1998, seven years after the independence of the country, the autocratic Kazahk president Noursoultan Nazarbaiev decides to move the capital city Almaty to Astana, in the northern steppes. Vertiginous towers spring out of the ground, financed by oil exports. The film opens with a presidential speech in 1997 on the future of Kazakhstan, boasting to “the three layers of society, the rich, the middle class and the poor” of the infinite promise of the free market. Christian Barani and Guillaume Reynard observe the life of a new society, in the standardised and gaudy trappings of wealth. Through an ex-Soviet oligarchy in full expansion, a melancholy and poetic portrait of globalization.

The civic behaviour bylaws recently passed by Barcelona City Council and applied to other Catalan municipalities bear a striking resemblance to Fraga's 1965 “Keep Spain Clean” campaign. Sex workers, skaters, artists, social activists... spoke out against the new legislation. The video covers the numerous demonstrations that were organised against the civic bylaws.

Those in power, who see any original idea as a potential seed of disruption and subversion, do not encourage the discussion of ideas or the return to our own values in order to arrive at more humane forms of development. As I made this film, I realised the extent to which Africans ignore their intellectuals. For some time now, they've been warning us about the options being imposed from outside, whether it be international banking, the IMF or even the former colonial powers. It's as though Africa lacked all trust in its intellectuals. Dr. Bado is a typical example of this contempt and lack of understanding. Those in power, who see any original idea as a possible seed of disruption and subversion, don't do anything to encourage discussion of ideas. My intention was to record Dr Bado's ideas so that future generations with greater awareness can take into account the neeed for a return to our own values in order to arrive at more human forms of development.

Drawing upon the ideas and analyses of renowned intellectuals, this documentary sketches a portrait of neoliberal ideology and examines the various mechanisms used to impose its dictates throughout the world. Neoliberalism's one-size-fits-all dogmas are well known: deregulation, reducing the role of the State, privatization, limiting inflation rather than unemployment, etc. In other words, depoliticizing the economy and putting it into the hands of the financial class.

Karaganda, Kazakhstan's second-largest city, located to the south of the steppes, was built in 1930 by displaced prisoners over a coalfield in the immense Karlag. Today, the basis of the city's economy is disappearing, leading to considerable impoverishment. « Mine de Rien » documents a time of instability, of transition between two states, feeling abandonment and capitalist hope. A state that has passed and a state which is just starting, intangible, inevitable. The film follows this transition, which generates chaos, adaptation and suffering, revealing the impossibility of being : at a time when human beings can no longer be considered as a mass, but a sum of individuals. En exploding population mapped over the geographical structure of the city.

After many years of living overseas, the director meets his father in Shenzhen. The setting of the film is a Russian- made aircraft carrier named Minsk, which seems to have the same life experience as the director. With its past glory and memories, this huge carrier is now a major commercial opportunity. Chinese and foreign tourist swap their roles here. The way the director sees it, Minsk has been transformed from an enormous war machine into a money making machine.