Amandla! is an impassioned chronicle of the role of music as a mean of protest and survival through more than 40 years of struggle against racial oppression. “The apartheid government took everything away from people, but it couldn't stop them from singing”, says director Lee Hirsch. In the songs there could even be found a rare ability of South Africa's people to find humour and creativity in impossible conditions, in abject poverty - and in battle.

This controversial, startling and hypnotic mix of music and visuals is a semi-autobiographical psycho-drama following one addict's journey from sickness to health, anguish to well being. The Chappaqua filmscape is polulated with counter-cultural icons: Allen Ginsberg and William S. Burroughs, Jean Louis Barrault and Ornette Coleman...

A poetic route in the solitude of the journey.

This is a riveting documentary that examines representations of gender roles in hip-hop and rap music through the lens of filmmaker Byron Hurt, a former college quarterback turned activist. Conceived as a “loving critique” from a self-proclaimed “hip-hop head”, Hurt examines issues of masculinity, sexism, violence and homophobia in today's hip-hop culture.

Puerto Rican American rapper Hamza Pérez ended his life as a drug dealer 12 years ago, and started down a new path as a young Muslim. Now he's moved to Pittsburgh's tough North Side to start a new religious community, rebuild his shattered family, and take his message of faith to other young people through his uncompromising music as part of the hip-hop duo M-Team. But when the FBI raids his mosque, Hamza must confront the realities of the post-9/11 world, and challenge himself.

SlingShot Hip Hop is a documentary film that focuses on the daily life of Palestinian rappers living in Gaza, the West Bank and inside Israel. It aims to spotlight alternative voices of resistance within the Palestinian struggle and explore the role their music plays within their social, political and personal lives.

The controversy surrounding copyright and the use of samples in the music industry during the 80s. With the participation of Negativland and EBN Emergency Broadcast Network.

The author of the video is hired as a marketing assistant by Columbia House. His only credential for the job is his status as a Nirvana fan, but circumstances soon lead him to a central position in the grunge catalogue of the multinational record distributor. Chris manages to create a personal diary of corporate America, its hierarchies and the ladder to the top, day-to-day life in a business community. 6th Independent Vídeo & Interactive Phenomena Show

Various permutations and combinations of Abraham Zapruder's 8mm home movie footage of the assassination of JFK. My work is intended as an investigation of the footage as a visual, experiential, and cultural document. In the United States this footage is both notorious and invisible; seldom actually seen, it is very well known; when seen, it remains opaque. This work is intended to add a level of "transparency" to the original. It is set to Jajouka music in order to bring to the foreground the ritual aspects of this visual, mechanical, and media historical event. 6th Independent Vídeo & Interactive Phenomena Show

Apparent contradiction, Guerrilla News Network accepts a surprising assignment: to create a radical video clip for white hip-hop superstar Enimen's White America. Apocalypse in the streets, the American Dream impregnated with the smell of decay.