Música

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        Música

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            Música

              26 Archival description results for Música

              26 results directly related Exclude narrower terms
              Sábado de Mierda
              ES ES-OVNI CTX-S007-SS001-0016 · Item · 1985
              Part of Non-Identified Video Observatory (OVNI)

              Semidocumentary about the life of a group of punks in the Mexico City neighborhood of Ciudad Neza, during the 1980s. A surprising context in which to place the expressions, references and dreams of the punk movement. 6th Independent Vídeo & Interactive Phenomena Show

              Untitled
              S/T
              ES ES-OVNI CTX-S001-SS001-0004 · Item · 1993
              Part of Non-Identified Video Observatory (OVNI)

              "There should be more cultural programs on television, more westerns and cartoons for children." A cool little trip with Cheles and his friends to the neighborhood of San Roque, in San Adrià del Besós, Barcelona. 1 Mostra de Vídeo Independent de Barcelona 1993.

              New Muslim Cool
              ES ES-OVNI CTX-S013-SS007-0083 · Item · 2009
              Part of Non-Identified Video Observatory (OVNI)

              Puerto Rican American rapper Hamza Pérez ended his life as a drug dealer 12 years ago, and started down a new path as a young Muslim. Now he's moved to Pittsburgh's tough North Side to start a new religious community, rebuild his shattered family, and take his message of faith to other young people through his uncompromising music as part of the hip-hop duo M-Team. But when the FBI raids his mosque, Hamza must confront the realities of the post-9/11 world, and challenge himself.

              ES ES-OVNI CTX-S012-SS004-0014 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              Parallel testimonies of Youssoupha, a rap artist and Thomas. Evocation of rap as an object of censorship, often criminalised by successive governments, and as a weapon of political struggle, far removed from the clichés of commercial rap.

              Untitled
              ES ES-OVNI CTX-S013-SS007-0113 · Item · 2006
              Part of Non-Identified Video Observatory (OVNI)

              This is a riveting documentary that examines representations of gender roles in hip-hop and rap music through the lens of filmmaker Byron Hurt, a former college quarterback turned activist. Conceived as a “loving critique” from a self-proclaimed “hip-hop head”, Hurt examines issues of masculinity, sexism, violence and homophobia in today's hip-hop culture.

              Untitled
              Hey Madonna
              ES ES-OVNI CTX-S007-SS005-0011 · Item · 1997
              Part of Non-Identified Video Observatory (OVNI)

              "Being photographed is the only way to cheat death? I remember the camera we use when we fucked for the first time. You said this way our love will never end. But now I never see you, only on TV. " OVNI 2000 Community 6th Independent Vídeo & Interactive Phenomena Show

              Femi Kuti
              ES ES-OVNI CTX-S013-SS007-0003 · Item · 2004
              Part of Non-Identified Video Observatory (OVNI)

              For decades, Nigerian icon Fela Kuti revolutionized “afro-beat”, a unique blend of driving funk and traditional African music that carried his message of liberation and dignity in the face of corruption. After Fela's death in 1997, his son Femi Kuti took over the afrobeat throne, and in 2000, Femi opened the New Africa Shrine in Lagos. A community center during the day and venue for ecstatic concerts at night, the Shrine is Femi's home... “Can't Buy Me”, Femi intones while the horns propel the music forward, dancers undulate, and the crowd finds release from the troubled state of the country in the joyous celebration...

              Untitled
              ES ES-OVNI CTX-S013-SS007-0007 · Item · 1982
              Part of Non-Identified Video Observatory (OVNI)

              All contemporary forms of black music (from funk to electronic) owe something to the irrisistible groove of which Fela was the creator: Afrobeat. For most of his career he fought against political corruption in his homeland, Nigeria, and was much loved by his people who affectionately called him their “Black President”... At the height of his popularity in a chaotic Nigeria, Fela wanted to stand for president. The army responded by attacking and ransacking his community, raping his wives and throwing his mother from a window. Fela transmits to the camera his thoughts on politics, panafricanism, music and religion. The film includes previously unpublished versions of ITT, Army Arrangement, Power Show and Authority Stealing.

              Untitled
              Donia Amar
              ES ES-OVNI RSC-1352 · Item · 2001
              Part of Non-Identified Video Observatory (OVNI)

              Donia Amar is one of Al Azma’s earlier works, it essentially observes the relationship between two pop singers, Mostafa Amar and Donia - each from a different social class - and their fans. Al Azma follows the two pop stars and their fans around recording fragments of concerts, interviews, and rehearsals at their studios. The film differs from mainstream documentary by using a wide range of images and techniques to reveal and interpret the wider context of the social and political reality of popular culture in Cairo.

              Untitled