Xperimental Eros invokes a shimmering fantasia of celluloid sensuality for the pleasure of our largest sex organ - the brain. Using exotic tropes and erotic footage from the world's oldest genre, this program of ardent auteurs spin grindhouse dross into arthouse gold with perverse panache. Be it tales of sexual obsession, rejected letters to Penthouse Forum, or the Mr. Nude Trucker Contest of 1976, no subject is taboo... nor above deconstruction.
UntitledMujer
110 Archival description results for Mujer
She's back.
Theory and practice of care
"Loneliness is on the rise. "Mainstream discourse hides the fact that the ‘normal’ situation of a 40-hour working week, plus daycare, plus grandma for tricky times, does not just leave room for improvement, it is downright unacceptable.”
Carolina del Olmo, where is my tribe?
In Sweden – an extreme case of Western trends within the Protestant tradition –, over 50% of the population live alone. People also die alone, forgotten by everyone, after a lifetime of pursuing the desire for personal independence, adapting to social norms, comforts, and socialisation without physical contact. The dream of an independent life, free from community bonds and patriarchal family ties, has turned out to be a nightmare of loneliness, sadness, and existential emptiness.
We need to overcome the binary oppositions that lead us to choose between two almost equally bad options. We don’t have to go back to the old, strictly patriarchal family, but we shouldn’t have to settle for metropolitan solitude either. The idea is to create and experiment with other ways of living and loving.
"According to anthropologist and primatologist Sarah Blaffer Hrdy, female lab rats locked in cages with only their young for company started to behave in a manner very similar to 1950s American housewives, with their obsessions and their neuroses. But when observed in the wild, mothers and their offspring showed a wide range of different behaviours in all kinds of social contexts."
Carolina del Olmo, Where is My Tribe ?
In the documentary The Swedish Theory of Love , a Swedish social worker investigating the growing number of people who die abandoned, completely isolated, asks: “What does it matter if I have a million in the bank if I am not happy?” But it’s not just about achieving happiness, it’s about the immense somnambulant sadness washing over a decaying civilization, where life unfolds in the midst of the epiphany of a mountain of waste. “ Did you hear that? It is the sound of your world collapsing ,” say the Zapatistas. Individual independence is the catastrophic ideal of a world that is perfectly organised and efficient but cold as ice.
“ At the end of independence there is no happiness. At the end of independence there is the emptiness of life, the insignificance of life, and utter, unimaginable boredom.”
Zygmunt Bauman, interviewed in The Swedish Theory of Love
Una dona es proposa fotografiar moments d'intimitat. En un lloc de cites d'Internet, escriu: 'Estic buscant persones a les quals els agradaria ser fotografiades en públic i revelar alguna cosa de si mateixes ..." What I'm Looking For documenta aquesta aventura; les connexions formades en aquesta intersecció entre l'espai públic virtual i el real. El vídeo és una reflexió sobre la naturalesa de la fotografia i la persistència de la visió. Una breu història de desig i control.
UntitledThe author of this film hitchhiked from Tarragona to Pakistan with the object of shooting a film in the so-called “Islamic” countries, and doing so in a fashion that is different from the usual media stereotypes that pigeon-hole women. For thirteen months, she travelled and lived in Bosnia, Turkey, Iran, Afghanistan and Pakistan. Unveiled Views portrays the lives of five women she met during her sojourn. These women have chosen art as a way to express themselves: public performances, cinema, music, poetry and dance are the tools they use -each in her own particular way- to unveil a personal vision of life.
Millner casts herself as a fan whose life has an uncanny similarity to that of Roseanne Barr's televised replica. When Millner visits the set of Roseanne, the "excess" of fan and star meets in a comic finale that threatens life as we know it.
Departing from the title, the video establishes a divergent parallelism in between the wife of the Senegalese migrants’ and the Odysseus’ Penelope. The protagonist do not just take Penelope’s roll, but subvert it. Parallelism due the similarity in the long periods waiting for their husbands’ return home. Divergence because, here these women take the enunciation power, to tell us how they deal with their reality and they how negotiate with the social pressure surrounding them, that like in the Odysseus, would love relegating them into a second term.
In Dakar, a disturbing friendship between the filmmaker Khady Sylla and Aminta, two women who are caught in depression or madness. A moving mirror portrait that attempts to express an inescapable desperation.
UntitledManipulation and experimental methods of contraception.
One of the most unknown uprisings of our history "The bread mutinery" was led by women in Cordoba, May 1652. There are no faces, there are neither names. There is no image of them. How can we recover the gestures of resistance that we cannot see?
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