Mujer

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            Mujer

              9 Archival description results for Mujer

              9 results directly related Exclude narrower terms
              Europe Trap: TRAILER
              ES ES-OVNI RSC-4281 · Item · 2012
              Part of Non-Identified Video Observatory (OVNI)

              Europe Trap is a film depicting the true struggle of a refugee. A close-up of Zakereh, a 55-year-old mother trying to reunite with her son, who is trapped in Greece. Through her eyes we shall witness her struggle against herself and society; a struggle as hard as the previous one she faced during wartime in Afghanistan. Zakereh fled Afghanistan many years ago. She escaped from war but she found misery and hostility. First in Iran, as a widow, with one child and without any rights, and later on, by crossing without papers many borders until she arrived in Europe. Once in Europe, at Athens airport she lost her son Omid and arrived alone in Spain without knowing where she was. Now she is suffering from culture shock, trying to fit in in another world where she doesn’t belong and dealing every day with a strange reality, with all her sadness and pain. The intimate portrait of an Afghan woman, who first became a widow and then a refugee. A testimony of the incomprehension of a new world and the situation she has to deal with now – a war as hard as the previous one, in the Europe Trap. A documentary about exile, loneliness, and the ghosts of war.  

              Untitled
              Grab and run: TRAILER
              ES ES-OVNI RSC-4272 · Item · 2017
              Part of Non-Identified Video Observatory (OVNI)

              Since Kyrgyzstan gained its Independence in 1991, there has been a revival of the ancient practice of Ala-Kachuu, which translates roughly as “grab and run”. More than half Kyrgyz women are married after being kidnapped by the men who become their husbands. Some escaped after violent ordeals, but most are persuaded to stay by tradition and fear of scandal. Although the practice is said to have its root in nomadic customs, the tradition remains at odds with modern Kyrgyzstan. Ala-Kachuu was outlawed during Soviet era and remains illegal under the kyrgyz criminal code, but the law has rarely been enforced to protect women from this violent practice.

              Non-Identified Video Observatory (OVNI)
              ES ES-OVNI CTX-S013-SS007-0029 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              To Ikhlas, a young mother, the most important things in life are her two children, all that is left from an arranged marriage in her teens. Her youngest son Nasser was imprisoned by the Israelis when he was only 15 for defending the cause of the Palestine people. Ikhlas is willing to accept any sacrifice in order to remain in contact with him, but she cannot help wondering whether this is really what her people need to do in order to defend themselves.

              Untitled
              Les Aphrodisia
              ES ES-OVNI RSC-4229 · Item · 2018
              Part of Non-Identified Video Observatory (OVNI)

              The Aphrodisia were considered the works of Aphrodite in ancient Greece, were all that offered pleasure to the senses. The intention of this audiovisual is to show some of the taboos where sexuality hides in the catalan context. Through three speeches, whose common objective is to defend sexuality, it approaches sex work and the works of the aphrodite that we live in everyday. The experience that three people can transmit from the Genera Association, erotic Massage and Sexual Assistance. This video is part of the Educational Agreement of collaboration between theOVNI Archives and the Department of Anthropology of the University of Barcelona -  UAB , for the curricular external practices of the students, of the academic year 2017-2018.

              Majnounak: Crazy of You
              ES ES-OVNI CTX-S006-SS003-0030 · Item · 1997
              Part of Non-Identified Video Observatory (OVNI)

              In the industrial suburbs of Beirut, three men talk about their sexual relationships: beginning, middle and end, hiding nothing. The video explores the ideal "male" that attracts them and they share with most boys his age. The cult of the body, songs and sexual language are verbal and non-verbal elements articulate their fantasies. The stories they tell us begin with the seduction, and end when they have fucked. This is the image they want to project in front of the camera, the "brave and beguiling" guy. In this context, desire is a commodity and romantic relationships always lead to failure.

              Siesta
              ES ES-OVNI CTX-S007-SS001-0012 · Item · 1997
              Part of Non-Identified Video Observatory (OVNI)

              "Siesta" is a counterpoint to "Un día Bravo", a passive look at the same object. They are two movements of the same composition, and their main theme - the melody - is the passing of time, decrepitude, and death. 6th Independent Vídeo & Interactive Phenomena Show

              Unfolding Penelope: Excerpt
              ES ES-OVNI RSC-4194 · Item · 2017
              Part of Non-Identified Video Observatory (OVNI)

              Departing from the title, the video establishes a divergent parallelism in between the wife of the Senegalese migrants’ and the Odysseus’ Penelope. The protagonist do not just take Penelope’s roll, but subvert it. Parallelism due the similarity in the long periods waiting for their husbands’ return home. Divergence because, here these women take the enunciation power, to tell us how they deal with their reality and they how negotiate with the social pressure surrounding them, that like in the Odysseus, would love relegating them into a second term.

              Unveiled Views
              ES ES-OVNI CTX-S013-SS007-0001 · Item · 2008
              Part of Non-Identified Video Observatory (OVNI)

              The author of this film hitchhiked from Tarragona to Pakistan with the object of shooting a film in the so-called “Islamic” countries, and doing so in a fashion that is different from the usual media stereotypes that pigeon-hole women. For thirteen months, she travelled and lived in Bosnia, Turkey, Iran, Afghanistan and Pakistan. Unveiled Views portrays the lives of five women she met during her sojourn. These women have chosen art as a way to express themselves: public performances, cinema, music, poetry and dance are the tools they use -each in her own particular way- to unveil a personal vision of life.