Stories of dreams and memories of Japanese women. In this award winning documentary, Shelly Silver presents an intimate portrait of a group of Japanese women ranging in age from 15 to 82, talking about their lives, families and society. In these stories one can begin to see, from very personal and individual perspectives, the societal changes that have occurred over the last three generations for women in Japan, bringing an exciting and often conflicting array of choices and positions. Many of the stories revolve around the relationships these grandmothers, mothers and daughters have with each other, filled with respect, rebellion, loss and love.
Mujer
38 Archival description results for Mujer
A new episode of the author's personal video diary. Every day life seen through psychological problems. Available online until December 20th, 2020. Courtesy of Harvard Film Archive.
Untitleda.k.a. Kathe is a portrait of a Mexican-American family from Tuckson, Arizona confronting the loss of a family member, Kathe. Kathe was fatally shot by a young man who through the course of this documentary is trailed and sentenced to only one year. The portrait of the life of a drug-addicted street prostitute, it also shows the repeating cycle of violence towards women.
Testimonies of women sentenced to prison, victims of domestic violence.
UntitledCover Girl Culture explores how the worlds of fashion, modeling, advertising and celebrity impact on our teens and young women. Who sets today's standards for beauty and how do these standards affect individuals and society? Who is responsible? Are there ways this can be changed' If so, who can/will change it?.
UntitledFrom a series of super low-tech video diaries recorded with the famous and now extinct "fisher price pixel vision" camera. Sadie Benning introduces us to her personal world of discoveries of identities and genres.
Untitled“The following is a true fact about American feminism: Courtney Love’s mother was Katherine Power’s therapist. GOOD SISTER/BAD SISTER is about fugitivism. Therapy. Rock and roll. FBI harassment of lesbians. The legacy and memory of radical feminism. Lipstick. Violence. Surrender. Bank-robbing. Generational politics. History. Through documentary technique, such as talking-head interviews and dramatic re-creations, Johnson connects notorious baby-doll grunge rocker Courtney Love with Katherine Power, a sixties activist and fugitive of the FBI for 23 years. Through the link of Linda Carroll, who is coincidentally both Love’s estranged mother and Power’s therapist, Johnson creates a multi-layered dialogue between the women that exemplifies and comments on female transgression within the public arena. When feminism is still the dirty F word of the Nineties, how do women fight American disorder without just being bad girls in a male-defined world' [...] Just because the sixties was a mind fuck, does it mean that we can never ask Utopian questions again?” – Berlin Film Festival 1997
UntitledIn March 2006, Code Pink invited eight Iraqi Women to the U.S. to speak about their experiences under the U.S. invasion and occupation. They were doctors, engineers, professors, and journalists. Two of the women had their entire families killed by U.S. troops. They were denied visas to enter the U.S. on the grounds that they did not have sufficient family to guarantee they would return to Iraq. The six women who were given visas travelled separately to dozens of cities throughout the U.S., speaking with community groups, churches, veterans, and the families of active duty GIs.
UntitledRemembering running away from home, 8 years later.
UntitledJean Kilbourne continues her groundbreaking analysis of advertising's depiction of women in this most recent update of her pioneering Killing Us Softly series. In fascinating detail, Kilbourne decodes an array of print and television advertisements to reveal a pattern of disturbing and destructive gender stereotypes. Her analysis challenges us to consider the relationship between advertising and broader issues of culture, identity, sexism, and gender violence.