A film based on the Neapolitan cult of dead. It is said that these dead people call out in dreams, and sometimes appear in a crowd: the stranger who is staring at you. They want to be acknowledged. So you adopt a skull, one of the thousands of human remains that can be found below the city. This ancient cult that has been practised until recently has left traces, traditions and beliefs.

"It may indeed be questioned whether we have any memories at all from our childhood: memories relating to our childhood may be all that we possess. Our childhood memories show us our earliest years not as they were, but as they appeared at the later periods when the memories were aroused. In these periods of arousal, the childhood memories did not, as people are accustomed to say, emerge; they were formed at that time. And a number of motives, with no concern for historical accuracy, had a part in forming them, as well as in the selection of the memories themselves." Freud . This ten-part video strains childhood through a history of reproduction, culling pictures from the Lumiéres to the present day in order to find the future in our past. Here are children of pictures, as pictures, the ones who will walk on our graves, granted a legacy of framing and image making that have helped shape their lives, and their ability to grieve those no longer around to share them.a video in ten parts: In the Future (3 min), Jack (15 min), Last Thoughts (7 min), Portrait (4 min), Secret (2 min), In My Car (5 min), The Game (5.5 min), Scaling (5 min), Imitation of Life (21 min), Rain (3.5 min).

What if ... Collen's life in his own voice has been miserable. Her father abused her, she was betrayed and deceived by her husband, separated from her children. Collen has survived feeling responsible for their decisions and dreaming of a safer and welcoming place. Everything points to a new, hot summer of crisis. Collen broken and entire, on camera. 6th Independent Vídeo & Interactive Phenomena Show

"Being photographed is the only way to cheat death? I remember the camera we use when we fucked for the first time. You said this way our love will never end. But now I never see you, only on TV. " OVNI 2000 Community 6th Independent Vídeo & Interactive Phenomena Show

One of the tapes of Anne Charlotte Robertson’s five-year-old diary, a cathartic, devastating, delicate and meditative story. The extraordinarily frank and revealing self-portrait of an artist and a woman struggling to understand the dark desires and shadows that define her world.

A thundering diatribe against the abuses of capital and the language, the presence of the body-thing.