An initiatic journey Videos from an exhibition at the Centre de Cultura Comtemporània de Barcelona from March 26 to May 30, 2002 (a project by Albert Garcia-Espuche and Toni Serra). Into the innermost parts of the city of Fes.Using audiovisual recordings that illustrate some of the different anthropologic, sociologic, urbanistic and religious aspects that make up the fabric of the city. A journey that requires both objectivity (in the working method) and subjectivity (for the experience of the journey and immersion in another culture).
Morocco
102 Archival description results for Morocco
A journey of initiation into a city and a its culture. The set of projections (10 screens) aimed to create a journey in the complex sense of the term: using audiovisual segments to illustrate aspects of the anthropological, sociological, urban and religious tissues of the city. A journey claiming both: a certain objectivity (in the working method), and the subjectivity (of the travel experience and approach to another culture). Moreover, the projections do not meet the criteria of a film with a beginning and an end, but rather the creation of a landscape, so the viewer choosed the time he/she wished to dedicated to each fragment. This made it possible to enjoy a deeper level of inquiry to specific fragments (artisans, rituals interviews, etc.). Consequently, the result of each visit to the exhibition gave an unique combinatorial fragments, since the total length of the projections would be about 6 hours. VideoInstallation 10 screens total lenght: 6h 40' Toni Serra , Albert García Espuche CCCB Centre de Cultura Contemporània de Barcelona 2002
Untitled6th Independent Vídeo & Interactive Phenomena Show
Hillulah ou Mouseem Juif au Marroc
Any: 1994
Portraits of a small community, the memory, the interpretation. 6th Independent Vídeo & Interactive Phenomena Show
“There is a saying in Arabic that translates as ‘I see the stars at noon'. We use it when everything in life is turned upside-down, when things are not as they should be. I first heard it in the tiny Moroccan village of Sebt Jahjouh, travelling with a man named Abdelfattah, a man whose world was upside-down, a man for whom things were definitely not as they should have been.” In January of 2004, in the northern Moroccan city of Tangiers, Abdelfattah is one of many trying to illegally immigrate to Spain by stowing away on a cargo ship. “I See the Stars at Noon” is at times humorous and disturbing, as it intimately examines the circumstances that lead him to risk everything for an utterly uncertain future. The traditional relationship between filmmaker and subject is thrown into question when Abdelfattah asks why his life is being filmed for the benefit of European audiences, and what he deserves in return.
UntitledPeople and places citylife in Casablanca. 6th Independent Vídeo & Interactive Phenomena Show - OVNI 2000 Moroccan video panorama.
UntitledA cinematographic poem shot random in different parts of Morocco. It is an intimate diary of an era. An ensemble of strange and beautiful details, in constant dialogue voice over poems, people´s movement, animals, images of the city and the country side, creating a dreamlike atmosphere where the smallest detail matters. The seduction of “Something “ we might no longer have.
Untitled