"Imaginary Trips I" is a Portrait of a City where the different languages that inhabit the urban landscape intersect. The travel document through the subjective story, the history and the dislate, whose roots are the narrations about remote cultures and unknown territories: literary genre of seekers of fortune, sailors and anthropologists. In this first chapter of "Imaginary Travels", a tour of the city of Buenos Aires, its history and myths. 3 Mostra de Vídeo Independent de Barcelona 1996.

Plan Rosebud 1 is focused on the recent social debate around the so-called Historic Memory Act in Spain, and the current relation between the sites of memory and the politics of memory, and the cultural industries, studied in detail, in our case, trough the war tourism and commemorative tourism (that forms the main part of the four scenarios that this first film contains).

"Paralysis - on the state of terror" is a documentary about our archival and records systems, and the role of images in constructing our past. The mental images of individual memory, the personal and subjective filing system of unique historical experiences that, when told, become eye-witness accounts, and archival material as a device/interface that configures an objective past, biding its time in image libraries all over the planet. A journey through subjective and objective history, guided by four characters: The Witness, a survivor of a nazi concentration camp; The Researcher, tracking and analyzing traces of the past; The Archival Material, source and extension of historical memory; and The Narrator, creating and directing a discourse where history impregnates the present and is revised.

Deliberations on death while a corpse is carefully cleaned and shrouded. 3 Mostra de Vídeo Independent de Barcelona 1996.