Going in depth into her father’s photo archive and diaries about his experience during the military service at the Sahara spanish colony in 1964, Pilar spots the lost paradise where he always would try to come back. In the eighties and nineties, after the failure of his family project, Manuel Monsell will start to traveling to the Maghreb. Again with his photo camera, he will run after the beauty of some portraits which could move him to the place of his dreams. But all these trips reveal much more about the place of departure than about the place of destination. Romantic love, independence and family compose a stage of a refuge that getting itself broken, it commit ourselves to ask not only about our more sincere desires but also about the need of rethinking the sense of these old words.

A documentary about Cuba, made in a moment of boom of the rafters.

This work, the result of a trip to Germany (taken in December of 2000) and of a personal investigation that lasted over two years, tackles the theme of the construction of memory and of the mechanisms of the production of history. Through the narration of my family’s history, it delves into the memory of the recent emigration from the spanish state to Europe, and reflects on the mechanisms of oblivion and remembrance, by recuperating the idea of the construction of memory as a nexus and a dialogue, and the elaboration from personal experience against the idea of an official history and memory, restricted to the institutional and articulated around the aestheticisation and the deactivation of the political subjects.

A camera enters the house of Luis Marsans (Barcelona, 1930 - 2015 ). Hand in hand with his daughter, familiarly, the camera records, observes, listens. The painter, who has been described so many times as a secret, takes the floor and little by little begins an exercise of introspection aloud that will allow us to delve into the life of the artist, as well as visit some of the places of his painting.

Los Sures is the name of a Puerto Rican neighborhood in Brooklyn, New York. Recorded in 1991 and published in 2008, this video is not so much a portrait of the neighborhood or a memory of it, but a journey of initiation through different interior landscapes that are reflected in the urban wilderness in the evocation of death and loneliness, but also in contemplation and celebration of life.