Memoria

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        Memoria

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            Memoria

              67 Archival description results for Memoria

              67 results directly related Exclude narrower terms
              ES ES-OVNI CTX-S011-SS006-0046 · Item · 2003
              Part of Non-Identified Video Observatory (OVNI)

              Through many voices, this project articulates the process of living in an area that until recently formed part of the periphery of the city of Barcelona. Torre Baró and Vallbona are two neighbourhoods that are expected to become a node of connection and expansion of metropolitan urban growth. This video tells the short history of these neighbourhoods by focusing on various themes: a first part explains the occupation of the area by settlers and self-builders; a second part characterised by the struggle, the process of socio-political demands and the consolidation of the associative movement; and a final part that outlines its possible future as an enclave of connection and interrelation with the urban context.

              ES ES-OVNI RSC-2693 · Item · 2006
              Part of Non-Identified Video Observatory (OVNI)

              A journey through the Syrian landscape, featuring interviews with three dissidents who long ago left Syria for France. The filmmaker presents a poetic portrait of her friends, who have chosen to go into exile. Abdallah begins on a journey through the Syrian landscape and settles down near the sea, pondering over the impact of poetry on daily life. She records the almost forgotten life stories of Syrian dissidents, digging deeper and deeper into their world, the world of people who have chosen to live in a foreign country, where they have gone into internal exile.

              Untitled
              Imitations of Life
              ES ES-OVNI CTX-S009-SS004-0019 · Item · 2003
              Part of Non-Identified Video Observatory (OVNI)

              "It may indeed be questioned whether we have any memories at all from our childhood: memories relating to our childhood may be all that we possess. Our childhood memories show us our earliest years not as they were, but as they appeared at the later periods when the memories were aroused. In these periods of arousal, the childhood memories did not, as people are accustomed to say, emerge; they were formed at that time. And a number of motives, with no concern for historical accuracy, had a part in forming them, as well as in the selection of the memories themselves." Freud . This ten-part video strains childhood through a history of reproduction, culling pictures from the Lumiéres to the present day in order to find the future in our past. Here are children of pictures, as pictures, the ones who will walk on our graves, granted a legacy of framing and image making that have helped shape their lives, and their ability to grieve those no longer around to share them.a video in ten parts: In the Future (3 min), Jack (15 min), Last Thoughts (7 min), Portrait (4 min), Secret (2 min), In My Car (5 min), The Game (5.5 min), Scaling (5 min), Imitation of Life (21 min), Rain (3.5 min).

              Jan. 30, 2002
              ES ES-OVNI CTX-S008-SS002 · Subseries · 2002
              Part of Non-Identified Video Observatory (OVNI)

              Observatory Archives 2002

              The Observatory Archives

              / CONTEXT 1994 - 2020

              Parálisis - sobre el estado de terror

              United States of America.

              United States of America.

              Quand les hommes pleurent...

              United States of America.

              United States of America.

              En Décimas las Propiedades del Limón

              United States of America.

              La Couleur du Sacrifice
              ES ES-OVNI CTX-S012-SS007-0100 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              The tragic participation of Africans from the French colonies in major world conflicts is a very important issue. We have just commemorated the 60th Anniversary of the Liberation of Europe. Unfortunately, not a single African or Asian who fought alongside the allies has been honoured together with his French, American and English brothers in arms....

              Untitled
              La Memoria Interior
              ES ES-OVNI RSC-1343 · Item · 2002
              Part of Non-Identified Video Observatory (OVNI)

              This work, the result of a trip to Germany (taken in December of 2000) and of a personal investigation that lasted over two years, tackles the theme of the construction of memory and of the mechanisms of the production of history. Through the narration of my family’s history, it delves into the memory of the recent emigration from the spanish state to Europe, and reflects on the mechanisms of oblivion and remembrance, by recuperating the idea of the construction of memory as a nexus and a dialogue, and the elaboration from personal experience against the idea of an official history and memory, restricted to the institutional and articulated around the aestheticisation and the deactivation of the political subjects.

              La Sombra y la imagen
              ES ES-OVNI RSC-4264 · Item · 2010
              Part of Non-Identified Video Observatory (OVNI)

              A camera enters the house of Luis Marsans (Barcelona, 1930 - 2015 ). Hand in hand with his daughter, familiarly, the camera records, observes, listens. The painter, who has been described so many times as a secret, takes the floor and little by little begins an exercise of introspection aloud that will allow us to delve into the life of the artist, as well as visit some of the places of his painting.

              Untitled