Miguel reveals to Fábio the filmed footage of his childhood. The film is an investigation into the possibilities of fiction through a material that, in theory, does not hide anything. His raw material is some VHS that Miguel himself starts to review next to a mysterious and flirtatious friend from Brazil. Miguel speaks, his friend listens. Miguel presents his world, his past, his first self. With these reference images, Miguel structures a particular account of his experience as a Colombian child and the first manifestations of Satan in his life.