Los Márgenes del Imperio

Elements area

Taxonomy

Code

Scope note(s)

    Source note(s)

      Display note(s)

        Hierarchical terms

        Los Márgenes del Imperio

          Equivalent terms

          Los Márgenes del Imperio

            Associated terms

            Los Márgenes del Imperio

              20 Archival description results for Los Márgenes del Imperio

              20 results directly related Exclude narrower terms
              ES ES-OVNI CTX-S012-SS002-0004 · Item · 2003
              Part of Non-Identified Video Observatory (OVNI)

              Antonio's story is one among the many stories of a person trying to survive the gentrification of El Raval, a traditionally working class neighbourhood in the centre of Barcelona. Antonio makes ends meet by recycling his finds and swapping things, while also giving things away to people who are in need, the homeless, poor people and migrants... all in all, he is a small focus of resistance to the ruthless capitalism that is slowly taking control of our lives.

              Untitled
              Closed District: Excerpt
              ES ES-OVNI CTX-S012-SS006-0003 · Item · 2005
              Part of Non-Identified Video Observatory (OVNI)

              "In 1996, I was staying in the village of Mankien in South Sudan to film the war which was taking place. At the time, I thought that making a film about an area struggling with such a severe conflict would almost have to be an act of duty. Once there, the reality appeared completely different from what I initially imagined it would be. The war that was all around me was not only a struggle between an oppressive government and a downtrodden minority but a latent conflict driven by power and economic interests. Back in Belgium, I felt overwhelmed by a strong feeling of helplessness and disillusionment to the point of never showing these images, up to now. A short while ago, I was told that the village of Mankien had been subjected to a massacre orchestrated by the Khartoum government with more than the slight complicity of Western oil companies. Closed District is not only a film about the war in South Sudan, but more about wars in general, about the death and distress that often ensues. It also raises the question of the filmmaker's place in a situation of conflict". (Pierre-Yves Vandeweerd)

              Untitled
              ES ES-OVNI CTX-S012-SS004-0013 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              Crying Sun tells the story of people from the Chechen mountainous village of Zumsoy and their struggle to preserve their cultural identity and traditions in the context of military raids and enforced disappearances by the federal army, attacks by guerilla fighters, and subsequent displacement. By helping to articulate the voices of Zumsoy villagers in the public and policy spheres, the video calls on local and federal authorities to end impunity for human rights violations and to restore policies for the return of mountain villagers to their ancestral homes.

              Untitled
              Doing Time, Doing Vipassana
              ES ES-OVNI CTX-S012-SS006-0008 · Item · 1997
              Part of Non-Identified Video Observatory (OVNI)

              This is the story of an ancient meditation technique called Vipassana, which shows people how to take control of their lives and channel them toward their own good. It is the story of a strong woman called Kiran Bedi, the former Inspector General of Prisons in New Delhi, who strove to transform the notorious Tihar Prison and turn it into an oasis of peace. But most of all it is the story of prison inmates who underwent profound change, and who realized that incarceration is not the end but possibly a fresh start toward an improved and more positive life.

              Exodus
              ES ES-OVNI CTX-S012 · Series · 2008
              Part of Non-Identified Video Observatory (OVNI)

              The Margins of the Empire _ OVNI 2008

              / CONTEXT 1994 - 2020

              The Margins of the Empire _ OVNI 2008

              "Open your eyes and look within. Are you satisfied with the life you're living? (...) So we gonna walk, alright, through the roads of creation. We're the generation (Tell my why) trod through great tribulation". Exodus Bob Marley

              The videos screened at OVNI 2008 will offer an initial reflection on the “marginal” and the desire to cross margins, on forms of personal or collective exodus – whether physical or as a state of mind. They include perspectives on different forms of marginalization and exploitation which lie directly under the oppressive vertical force of power, such as workers in Chinese export factories or clandestine Palestinian day workers in Israel. And perspectives on armed conflict zones that go beyond the “propaganda-counter propaganda” dialectic: in South America, Chechnya, Lebanon, Iraq, Darfur, Afghanistan...

              But they also include reflections and perspectives on other realities and forms of organization that grow on the margins: self-organization of the homeless, indigenous communities in Ecuador and Columbia, brotherhoods of transvestites in India, ancient heterodox traditions and their rituals, self-managed collectives in Barcelona, groups of deserters in the US... Together with accounts of dreams and the inner revolution, of seeking and of exodus... These are videos that question and consider this attraction towards exodus, the desire to abandon a reality and a set of values that we can no longer believe in, or wish for. Perspectives that refuse to remain trapped in an eternal “against” stance and use resistance tactically, but embark on a journey to other possible worlds. Exodus itself is another world, functionally unmappable, because exodus is always on the side of emptiness and movement, of listening to voices of the others (?) and recognising oneself in them. What gets left behind are societies swing between an abundance of poverty – made visible and turned into spectacle by the media – and the increasingly obvious misery of abundance, the misery of consumer societies.

              Let's allow fragments of transcriptions from some of the videos that will be projected talk to us about the journey:

              “A society that is always sicker, but always stronger, has everywhere concretely re-created the world as the environment and decor of its illness, a sick planet. A society that still hasn't become homogenous and that isn't determined by itself, but is always more determined by a part of itself that places itself above the rest and is exterior to it, has developed a movement that dominates natures but isn't itself dominated. (...) The production of non-life has more and more pursued its linear and cumulative process; overcoming a final threshold in its progress, it now directly produces death”. (1)

              “The consumer society has destroyed the environment. Exterminated millions of species of plants and animals. Poisoned the seas, the rivers and the lakes. Polluted the air. Filled the atmosphere with carbon dioxide and other harmful gases. Destroyed the ozone layer. Exhausted our oil, coal and gas reserves and rich mineral resources. Exterminated our forests and destroyed their own. So what is left for us? Underdevelopment. Poverty. Dependence. Underdevelopment. Debt. Uncertainty. For the super developed societies the problem is not growth but distribution. Not only amongst themselves but amongst everybody. Sustainable development is impossible without fairer distribution amongst all nations. After all, mankind is one great family all sharing the same destiny”. (2)

              “Today's ideal is consumerism. It is a homologating civilisation that makes everything the same. Without ideology? What, it has no ideology? With a consumer ideology you don't... instead of having a flag, the clothes they wear are their flag. Some of the means and some of the external phenomena have changed but, in practice, it's a depauperation of individuality which is disguised through its valorisation (...) During the so-called “repressive” ages sex was a joy, because it was practiced in secret and it made a mockery of all the obligations and duties that the repressive power imposed. (...) And so, at a certain point, one of the characters in the films says exactly this: “Repressive societies repress everything... therefore, men can't do anything.” But I have added this concept which for me is lapidary: permissive societies permit a few things and only those things can me done. Hey! That is terrible! A degree of bestowed freedom that later becomes compulsory. As it is bestowed it becomes compulsory.

              Sadomasochism is an eternal category of man: it was there in De Sade's time, it's here today, etc. But this is not what I care about. I also care about this, but the real sense of sex in my films is a metaphor of the relation between power and its subject. Therefore, in reality, it is true for all times. The drive came from the fact that I detest, above all things, today's power. Everyone hates the power he is subject to. Therefore, I hate the power of today, of 1975, with particular vehemence. It is a power that manipulates bodies in a horrible way, it has nothing to envy Himmler's or Hitler's manipulation. It manipulates them, transforming their conscience, in the worst way, establishing new values which are alienating and false. The values of consumerism, which accomplish what Marx called genocide of the living, real, previous cultures.

              In reality, the producers force the consumers to eat shit. Knapp bouillon or... They give adulterated, bad things, little Robiola cheeses, processed cheese for babies,... all horrible things that are shit (...)

              Power remains exactly the same, only its characteristics change, the subject is no longer parsimonious or religious, he is a consumer and so he is short-sighted, irreligious, secular, etc. The cultural characteristics change, but the relationship is identical. Therefore, it (Salò) is a film not only about power, but about what I call “the anarchy of power”. Nothing is more anarchic than power. Power does what it wants and what it wants is totally arbitrary or dictated by its economic reasons which escape common logic.

              My real vision, the older, more archaic one given to me at birth and shaped in my early childhood, my original way of seeing is a sacred vision of things. In the end, I see the world like those who have a poetic vocation do, that is, like a miraculous, almost sacred fact. And nothing can desecrate my fundamental sacredness”. (3)

              Constant work, constant consumption

              “... We are terrorized into being consumers. We can choose between brand A, brand B or C, that's the freedom we have. Yes, I think there are too many things. Constant work and consumption, it's crazy. This is what's destroying everything, and it has to go. I can see very little worth preserving. I don't see any benefit or wellbeing in preserving this system. Achieving all these things is actually coercion. People are forced to work in mines and packaging factories. Without them we don't have all this. A world of things, which we have to spend our whole lives fighting for. I don't think anybody really takes it seriously, but inertia keeps it moving. This has to be stopped, it has to be destroyed (...)

              Why do people go out and try to protest or try to do something? That's not violence. Sitting there doing dope and watching MTV. Then you go and get a job. Just schlep along. To me that is violence.

              It is necessary to damage or destroy property, it lies outside political confines o the politics of the everyday. What do you achieve by holding a sign at the usual demonstration? I've seen the same thing for decades, it doesn't achieve anything! But when people fight, that’s something else. They capture people’s attention, it’s real. Corporate property is the most obvious legitimate target in my view. Banks, e

              Feb. 3, 2008
              ES ES-OVNI CTX-S012-SS006 · Subseries · 2008
              Part of Non-Identified Video Observatory (OVNI)

              The Margins of the Empire _ OVNI 2008

              / CONTEXT 1994 - 2020

              Pierre-Yves Vanderweerd

              Choque de Civilizaciones

              Walkin' to New Orleans

              United States of America.

              From Beirut to... those who love us

              United States of America,

              Doing Time, Doing Vipassana

              Le Beurre et l'Argent du Beurre

              Forst
              ES ES-OVNI CTX-S012-SS004-0006 · Item · 2005
              Part of Non-Identified Video Observatory (OVNI)

              This documentary talks about a forest in the middle of Europe, far from the urban world and from civilisation, which is home to a peculiar community of the banished - it is a world for the stranded. A diffuse system that still has total control makes sure that this world doesn't show itself, that it doesn't pop up in our reality and become a disturbance. In Forst the banished proclaim their own truth and tell the story of their empowerment. They gradually recall their identity as political refugees and start to make plans for their escape...

              Frames / Fragmentos
              ES ES-OVNI CTX-S010-SS007-0003 · Item · 2003
              Part of Non-Identified Video Observatory (OVNI)

              These videos deal with some of the most visible issues in contemporary societies. Racial mix, violence, marginalisation, culture clashes...as manifestations of the idea of the Border (territorial, social political, psychological). Issues that could be summed up in the profound feeling of loneliness that saturates these works. Juan Bautista Peiro.

              Untitled
              ES ES-OVNI CTX-S012-SS003-0004 · Item · 2004
              Part of Non-Identified Video Observatory (OVNI)

              The earth, its fruits, its particular places and the traditional cultural practices of its people are sacred, material and immaterial assets shared by all. Food sovereignty is at the heart of the Cauca peasant women's and indigenous communities' peaceful struggle to achieve overall sovereignty. Barter is still one of their strategies.

              Untitled
              July Trip
              ES ES-OVNI CTX-S012-SS005-0007 · Item · 2006
              Part of Non-Identified Video Observatory (OVNI)

              Beirut, July 2006. Israeli bombings strike the city. While Beirut is still on fire, the filmmaker starts a journey across his native land. The film is not a documentary - although the images are burningly real - but an essay. Using two complementary techniques, 16 mm film and HDV, the artist questions the deep foundations of the documentary genre. The eye of the cameras goes through a country in a state of terror, it records the immediate effects of war when it touches civilians.

              Untitled