It would be lucky if a Shia made the first film o video about Judas Iscariot wailing in the interval between the moment of betrayal and the moment of suicide. Judas agreed the signal to the crowd carrying swords and sticks and sent by the majors and priests of the village to arrest Jesus: "whomever I kiss is the one".

In 1975, a group of young Lebanese men were affiliated with the Palestinian Resistance Organization "Fateh". Some of them sacrified their life in the course of the Civil War. Now that the war has gone, a bunch of those fighters are considered survivors, but they keep themselves alive by nursing their souls with alcohols, poetry and laughter.

This documentary was filmed in Beirut under Syrian occupation in the year 2000 with few resources, a camera and the idea of creating a documentary about Beirut with touches of fiction, connecting it to two myths from western culture, Romeo and Juliet, and Salome, inspired by the east. This explains the fragments of Shakespearean texts in the video. I had the backdrop -Beirut, its streets and neighborhoods-, the actors -the people of Beirut-, and I had the car -“le service” (one of those old taxi-cars that really are actors in the “asphalt cinema”, and that immediately reveal the identity of their owners through the amulets tied to the rear vision mirror, such as rosaries, pictures of saints or photos of Assad). This is why the documentary has a road-movie feel.

In the industrial suburbs of Beirut, three men talk about their sexual relationships: beginning, middle and end, hiding nothing. The video explores the ideal "male" that attracts them and they share with most boys his age. The cult of the body, songs and sexual language are verbal and non-verbal elements articulate their fantasies. The stories they tell us begin with the seduction, and end when they have fucked. This is the image they want to project in front of the camera, the "brave and beguiling" guy. In this context, desire is a commodity and romantic relationships always lead to failure.