Khaled, a Syrian worker earns his living in old town Beirut. He was born transvestite. Ever since he suffered of his sexual identity. Yet, he has determined to change his sex by a surgery which allows him to become a woman. This film enters into Khaled's intimate world, daily struggle and damages that inflict him in an intolerant society.

Registers the withdrawal of tradition past a surpassing disaster (the fifteen-year Lebanese war); produces completed crossword puzzles with subsisting blank spaces in a country of shattered shop signs; exhibits the rise in 1992-Beirut of a sublime architecture of bricks in a period where it appears Arabs are being driven to the Stone Age (Palestinians throwing stones at the Israeli army in the Occupied Territories, etc) and uses fiction to document the eruption of psychotic effects in and outside mental hospitals.

Following the Israeli withdrawal from Ain el Mir in 1985, the village became the frontline. The Dagher family was displaced from their home, which was occupied by a radical resistant group for seven years. When the war ended in 1991, Ali Hashisho, a member of the Lebanese resistance stationed in the Dagher family house, wrote a letter to the Dagher's family justifying his occupation of their house, and welcoming them back home. He placed the letter inside an empty case of a B-10, 82 mm mortar, and buried it in the garden. In November 2002, Akram Zaatari headed to Ain el Mir to excavate Ali's letter.

A exploration of sexuality among gay men in Lebanon. Five characters talk about their sexuality, about commitments, about their relationship to their bodies, about their passions and love in a society where homosexuality is still punished with imprisonment. The video uses light to produce a white veil, rendering almost impossible character identification.

Beirut, July 2006. Israeli bombings strike the city. While Beirut is still on fire, the filmmaker starts a journey across his native land. The film is not a documentary - although the images are burningly real - but an essay. Using two complementary techniques, 16 mm film and HDV, the artist questions the deep foundations of the documentary genre. The eye of the cameras goes through a country in a state of terror, it records the immediate effects of war when it touches civilians.

Leaded/Unleaded documents the May 2004 labour demonstrations in the poorest neighbourhoods of Beirut that were violently repressed by the army. There has been little focus on the perpetual economic crisis in Lebanon, where upwards of 40% of the country's population lives below the poverty line.

The emergence of Hezbollah as a party dates back to 1982 when a group of islamic believers considered the eminence of establishing a certain formula to face the weakness prevailing in the struggle against Israel and to achieve the goals of Islam. Since the very beginning, Hezbollah was directly linked to the Islamic struggle in Iran that had a direct impact on the party's lifepath. The party was constitutud form organizations and party affluents, both islamic and national, and from independent currents among youth. The aprty is religiously tied to the jurisprudent lider al Imam Khomeini first then to al-Imam al-Khamenei.