Janata Bennuna is from Morocco; Hanan Al Shaykh is from Lebanon; and Nawal Al Saadawi is from Egypt. All three are authors of the Arab word, committed intellectuals who shed light on the complex social reality of the Arab world through their books. In their hands, literature becomes a weapon through which to draw attention to and denounce situations that they oppose. The three women, from a generation heavily influenced by Pan-Arabism, initially studied against the wishes of their families, but ended up gaining their support. In A Woman's Word, these three very different writers who nonetheless share a common ground talk about their lives and their work. By learning about them, we also gain an insight into the Arab world, which is much more complex than the Manichean and mostly malicious information on the subject that predominates in our own society today. They too are Arabs, women, who refuse the victim mentality, and demand their rights through their work and their commitment.

About Home shows what happen when people live more than 60 years in a refugee camp. The film goes inside the intimate life of a Palestinan familiy to show their thoughts, desires and contradictions after more than half a century living in Lebanon as a refugees. About Home explores the meaning of living in stand-by in an atmosphere of hate, violence and arms. Small clockwork bombs inhabiting a compulsive country.

The testimonies of Arab infiltrators in Israel.

It's a hot summer in Lebanon, as Beirut-born filmmaker Katia Saleh documents how last summer's war affected her and the people around her. The film tells the intimate stories of those we never hear from or see during TV war coverage. While some were unable to leave their homes, others were forced to seek refuge in overcrowded schools and hospitals. For Katia's own mother, the decision whether to leave a home behind and do whatever it takes to get a precious foreign visa for her daughter fuels emotional conversations caught on camera.

A military helicopter circles in the sky like an evil wasp. Chaos on the ground after the attack. A fast-paced sequence - bleeding people, burning cars and confused soldiers. Subheading: From Beirut - with Love. A cinematic postcard-greeting, so bitter and cynical, it can only come from a city at war with itself. The only dialogue in the film reveals a surprising connotation: Beirut is Paris, or Madrid, or any other metropolis. The scene is set: youth without a future, bomb attacks, drugs, arms, soldiers. The postcard has arrived.

Many people first became aware of the Shatila refugee camp in Lebanon after the shocking and horrific Sabra-Shatila massacre that took place there in 1982. Located in Beirut's "belt of misery," the camp is home to 15,000 Palestinians and Lebanese who share a common experience of displacement, unemployment and poverty. Fifty years after the exile of their grandparents from Palestine, the children of Shatila attempt to come to terms with the reality of being refugees in a camp that has survived massacre, siege and starvation.