Italy

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            Italy

              2 Archival description results for Italy

              2 results directly related Exclude narrower terms
              Stone/L'irruzione del reale
              ES ES-OVNI RSC-3197 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              Video work "Stone/Irruption of Reality" is born from the encounter with women who are working ten and more hours per day as stone-breakers and rock-bearers over Buthan mountains' streets (North-East of India). Working women as ancient as the mountains from which they seem to break off; women whose faces convey a profound calmness, although their hands are slaughtered and their faces marked by strain. Video images are since the beginning strictly related with excited voices from New York's Stock Exchange, suggesting a deep connection between economic power and exploitation, between wealth and poverty in the world. This relation is underlined also by Master Alessandro Cipriani's sound concept, that processes stockbrokers' nervous voices into stones' noise, till it gets into a hammer's hard rhythm which beats time of these women's lives, hour after hour and day by day. Reality comes out in all its rawness and its grief.

              Il Corpo delle Donne
              ES ES-OVNI CTX-S014-SS005-0006 · Item · 2009
              Part of Non-Identified Video Observatory (OVNI)

              An Italian documentary that looks at how television manipulates and exploits women's bodies. It all started with the observation that women – real women – are an endangered species on television, one that is being replaced by a grotesque, vulgar and humiliating representation. This is an enormous loss: the erasure of womens' identity is happening right before our eyes, but there is no outcry, even from women themselves. This led to the idea of compiling TV images that share a common manipulative exploitation of womens' bodies, to let people know what is happening – not only people who never watch television, but especially those who watch it but “don't see.” The aim is to pose questions about the reason behind this erasure, a real “pogrom” of which all of us are silent spectators. The project pays special attention to the erasure of adult faces on television, to the use of plastic surgery to erase any sign of the passage of time, and to the social consequences of this erasure.

              Untitled