One day they will do with reality what they? ve done with TV. You will only have the right to leave the house if you pay a 150 euro monthly fee. If you don?t pay up, everything you see will look blurry.

A film based on the Neapolitan cult of dead. It is said that these dead people call out in dreams, and sometimes appear in a crowd: the stranger who is staring at you. They want to be acknowledged. So you adopt a skull, one of the thousands of human remains that can be found below the city. This ancient cult that has been practised until recently has left traces, traditions and beliefs.

The post-war period and the New World Order told through documentaries, war films, propaganda and photographs. Waco, Oklahoma City, September 11, the war on terrorism and Special Laws, the "Other America" and the destruction of the 10 amendments. Impero is born from the need to bring together counter-information and journalistic rigor, continuing the operation that began with the radio spots "Iraq 2 special edition", "death for sale" and "the black mirror of democracy".

The protagonist of this film is a building. On the perimeter of Rome like a monolith in the open countryside stands a municipal housing complex from the seventies: Corviale. This ravaged concrete structure, which stretches for over a kilometre, has become the embodiment of a failed utopia from an urban planner's drawing board. Designed as a self-sufficient city, for decades this “palazzo” has largely been left to the devices of its eight thousand residents.

An Italian documentary that looks at how television manipulates and exploits women's bodies. It all started with the observation that women – real women – are an endangered species on television, one that is being replaced by a grotesque, vulgar and humiliating representation. This is an enormous loss: the erasure of womens' identity is happening right before our eyes, but there is no outcry, even from women themselves. This led to the idea of compiling TV images that share a common manipulative exploitation of womens' bodies, to let people know what is happening – not only people who never watch television, but especially those who watch it but “don't see.” The aim is to pose questions about the reason behind this erasure, a real “pogrom” of which all of us are silent spectators. The project pays special attention to the erasure of adult faces on television, to the use of plastic surgery to erase any sign of the passage of time, and to the social consequences of this erasure.