A prison on the island of Nisida, in Naples, is home to 40 adolescents aged between 14 and 21. The kids design masks to hide their identities during the shooting of the film. It is this very facet which contributes to establishing an increasingly intimate rapport with three of the inmates – Enzo, Rosario and Samir, confronted by prison life, invite us to share their daily routine of school and work, boredom and captivity. They also recount their stories and share their moments of hope and disappointment. If the objective of their punishment is, as stated in the Constitution, re-education, the film questions the compatibility between learning and imprisonment.

“We come from many different countries and many different backgrounds, but we have discovered that we face many of same problems in our work and in our lives. Within this document we explore the current inequalities and injustices within our lives and the sex industry; question their origin; confront and challenge them and put forward our vision of changes that are needed to create a more equitable society in which sex workers, their rights and labour are acknowledged and valued.” (Sex Workers Manifesto, Brussels, 15-17 October 2005 ) Special Guest: Scarlot Harlot & Wonder Bra.

The night crossing of a Mediterranean city by car. Its passenger stay there almost invisible, absorbed by the urban view. A voice confirms a lonely night wandering in a city by the sea, an urban journey made to let the time pass away. Who crosses this city isn't only passing through it. He's a local, for a night, before an exile without return.

The slow life of a little village near the city, and the city's fast pace. How can these two competing world views be reconciled' Is there a third way, a truly sustainable form of development? With the help of Luca Mercally, the filmmakers try to map out several possible pathways and a “solution” that could point us in the right direction.

The film deals with the (non)memory of WW2 concentration camps in Italy, in which numerous Slovenian civilians were detained. Three concentration camps were situated just across the Slovenian-Italian border, and this is also where a new concentration camp - a detention center for migrants - was being built at the time of making this film. Further, the film discusses the issue of statelessness - by comparing everyday situations endured by the Roma people in Rome, Italy, and by the Erased people in Slovenia - they too were, and still often are, detained in Italian and Slovenian detention centers.