A documentary put together from an anonymous collection of 16mm home movies showing safaris in Central Africa filmed between 1957 and 1963. The footage, which was later edited and had a sound track added, shows a group of friends, lovers of small game hunting, meticulously filmed by a cameraman: a safari in French Equatorial Africa (Chad), footage of “kills” in Cameroon, Angola, Mozambique and other African countries, that have the impact of a colonial-touristic expedition.
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There are many protagonists in this video: the woods, above all, and different types of animals, natural light effects, installations by various artists (these were installed along the pathway in a Piedmont Valley in the North West of Italy as a result of a production of material in the field occurred during the project “La collera delle lumache” (The Snails’ Wrath), the stream, the sky, and other landscapes. Each of these elements, from time to time, can ‘take over the scene’ of Soglie (Thresholds), becoming the momentary protagonist of the work, totally without any pre-established hierarchies. An intangible entity that was possible to document only by evoking it with this composition of images and sounds, all of which are absolutely authentic and not treated in any way during post-production. One could define Soglie (Thresholds) as an epic of the events of those days, that which was seen by the invisible eyes of the woods and narrated by the forest itself. I repeatedly dreamed of it over the long term that I devoted myself to the choice of images and sounds, and to their transformation, and now tell my dream to everyone who sees this video work.
Non-Identified Video Observatory (OVNI)This video consists of 13 episodes recorded by independent groups and individuals at the Genova antiglobalisation demonstrations. Images which never appeared on mainstream media because they didn't fit in with the entertainment and counter-information agenda of the media industry.
El desig d'amplificar la mirada, d'allunyar, de distanciar cada vegada més la capacitat dels nostres ulls a través de diferents tecnologies (binoculars, microscopis, satèl·lits), amaga la voluntat d'acostar-se a les imatges de l'extrema distància, de l'extrem desapego: la mort. Mort en viu, el temps en viu de la imatge electrònica és l'extrema necroscòpia tecnològica regalada a la nostra mirada: la carn es desplega, el desig, la tensió es consumeixen i es descomponen, moment rere moment, "fotograma" a "fotograma". La glaciació temporal del cos de la imatge fotogràfica i cinematogràfica s'obre en el caos del vídeo provocant retorns impredictibles a la vida, una vida feta de llum i de moviment. Les mirades de les diverses guerres han aconseguit el seu camí des del canó del rifle fins als binoculars de la lent de les càmeres: apuntem els nostres ulls, mirem, desitgem, matem, veiem la mort (en viu). El vídeo va ser realitzat per a l'exposició:"Tazio Secchiaroli, the original paparazzo", galeria Photology, Milà.1996.
http://www.alessandroamaducci.net/
http://www.alessandroamaducci.net/
https://vimeopro.com/alessandroamaducci/found-footage/video/122185476
https://vimeopro.com/alessandroamaducci/found-footage/video/122185476
For the first time, the Luce Institute presents one of its best-known documentaries, to show people today the deeds and images of the old times, in original version, restored, without any changes to the editing.
Over the course of the last century, the US has encircled the world with a web of military bases unlike any other in history. Today, they amount to more than 700, in 40 countries. No continent is spared. They are one the most powerful forces at play in the world today, yet one of the less talked-about. They have shaped the lives of millions, yet remain a mystery to most. Why do countries like Germany, Italy, Japan and South Korea still host hundreds of US military bases and thousands of US soldiers? And why is the US aggressively expanding in many new countries? How do the bases affect local populations, and what stance has president Obama taken on this controversial subject? This documentary film answers these and other questions both through the words of prominent experts, intellectuals and ex-insiders – Noam Chomsky, Gore Vidal, Chalmers Johnson and others – and through the shocking but often inspiring stories of those directly affected by US bases in Italy, Japan, the Indian Ocean and elsewhere.
Mourners from southern Italy, poem by Pier Paolo Pasolini.
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