Ia documentary about the root causes and present contradictions of the Palestinian-Israeli conflict, a deeply personal odyssey of discovery, and a surreal work of art combining poetry, music, and images both beautiful and horrific. While its subtitle is "Theological Political Fragments," the film ends by tying its many elements together in ways the viewer may not expect.

The birthday of this video's fictional filmmaker, Avi Mograbi (also the name of the real director), is the same day as the 50th jubilee anniversary of the founding of Israel, a day observed by Palestinians as "Al Nakba" or the Catastrophe. Mograbi is hired first by Israeli television to film the events leading up to the jubilee and then by a Palestinian producer who wants him to film the ruins of Palestinian villages and towns in Israel. To make matters worse, he is enmeshed in a real estate deal with his neighbours and enraged buyers arguing over property boundaries. The collision of these three anniversaries, two film jobs and a dispute over property lines takes this fictional "documentary" into the depths of Israeli and Palestinian daily life and a shared 50-year history.

“Avenge But One of My Two Eyes” is a ramble between three arenas at the height of the “El Aqsa” Intifada: the practice of the Masada cult, reinvented in the mid-1940s and interwoven with the leading Zionist discourse, the condition of oppression and besiegement of the Palestinian people in the occupied territories, and the continuous religious and secular cult of Samson, aka “Samson the Hero”. Real places, times and situations penetrate one another and integrate, presenting the Israeli reality as it is: embroiled, violent, suicidal.