The Interactive Sonic Environment is a multi-layered internet-based space of sounds in which users experience sensitive listening within a commuting journey in the London Underground. The environment contains contributions made by volunteers, in the form of meaningful sounds selected by them and reflective texts written by them. Five main spaces—entrance, tickets, corridor, platform and carriage— have been divided into categories according to the movement that the commuters make during the journey (e.g. going up escalators to the tickets' place). Four ‘symbolic' spaces—doors, trains arriving, announcements and steps—are the result of repetitions in their selections, which I considered relevant as a shared space in their memories - sub-spaces derived from the real space. Each category contains a list of sounds that are triggered and overlapped according to the user's navigation. The activity proposed by the artwork is one of “wandering”, or free navigation. Navigation allows, through the resultant layering and sequencing, the perception of a musical discourse of the commuting experience. It is a single-user multimedia application that embodies collective meaning. The whole of the virtual space and the feelings triggered by it become the focus of the experience.
interactivo
6 Archival description results for interactivo
ES ES-OVNI RSC-2305
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Item
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2007
Part of Non-Identified Video Observatory (OVNI)
ES ES-OVNI CTX-S006
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Series
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1999
Part of Non-Identified Video Observatory (OVNI)
Observatory Archives 1999
/ CONTEXT 1994 - 2020
Observatory Archives 1999
The theme of OVNI 1999 is the journey that goes from the social to the private and vice versa, with the understanding that they are part of the same continuous fabric. Memory/Collective Fiction. Dreams/Personal Memories. Standards and archetypes and individual irreducibility. Media paranoia and stories of schizophrenia. Social passions and love stories. The “American dream”, the “European dream”. Temporary Autonomous Zones and Other Worlds.
Thematical screenings
Hall and Auditorium. Simultaneous Screenings
Centre de Cultura Contemporània de Barcelona
Montalegre 5. 08001 Barcelona
ES ES-OVNI CTX-S005
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Series
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1997
Part of Non-Identified Video Observatory (OVNI)
4th Independent Vídeo Show & Interactive Phenomena
/ CONTEXT 1994 - 2020
4th Independent Vídeo Show & Interactive Phenomena
IDENTITY vs MEDIA / 4th Independent Vídeo Show & Interactive Phenomena / OVNI 1997
The MVI&Fi presents an extensive theme-based programme that is not exclusively dedicated to new audio-visual productions. The Mostra is non-competitive and all the participants are paid for their contributions. These are the specific criteria that distinguish the Mostra from other festivals.
As in previous editions the audio-visual works presented in the MVI&FI are selected in two ways. On the one hand, a rigorous selection of works received through a public call for entries and the other, works selected from a variety of archives and programmers or through direct contact with the authors.
The theme of identity , once again, is of central importance in the Mostra; identity, in this cases, at the cross-roads of the social, sexual, emotional and familial with the interior world of madness, pain and the intimate, ...A spectrum amply illustrated in the four programmes of the Dark Night of the Soul .
In this edition, for the first time, the Mostra presents two monographic sections: An extensive selection of the work of the Canadian Steven Reinke and more limited programme dedicated to Joe Gibbons.
We are also presenting an extended version of the William Burroughs monographic programme that was projected at the MACBA, consisting of works that go beyond the strictly videographic, and representing both a way of understanding visual experimentation and a radical critique of contemporary culture and society. There are works in with Burroughs actively collaborated, such as the films of Antony Balch and Gus Van Sant and others in which his writings or voice served as a point of reference, such as the shorts of Francis Ford Coppola, Herbert Distel, Philip Hunt, ...
We are especially pleased to be showing The Society of the Spectacle by Guy Debord , with Keith Sanborn ’s English translation.
The 4MVI&FI also includes two programmes of Experimental Television compiled by Andy Davies and during the Mostra Barcelona Television will broadcast a especial programme of ambient tv by Park 4 dtv.
This year the Mostra has two sections dedicated to Interactive Pieces and Quicktime Movies . The first is both wide-ranging and informative and the second, more specific, consists of multimedia works from ZKM – Zentrum für Kunst und Medientechnologie in Karlshure- Deutschland and 10 representative CD roms of the archaeology of mass media from the Rick Prellinger Archives in New York.
Each the programmes that make up the MVI&FI work as a route intended to transport the viewer through a series of emotional and mental landscapes as if in a ritual or journey, in which each of the stages influence and alter the others. The programmes consist of works that are formally diverse, that flow in a way that excludes neither contradiction nor paradox, that may be read over and above the significance of each specific piece.
Thematical screenings
Hall and Auditorium. Simultaneous Screenings
Centre de Cultura Contemporània de Barcelona
Montalegre 5. 08001 Barcelona
ES ES-OVNI RSC-980
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Item
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1998
Part of Non-Identified Video Observatory (OVNI)
The metro, subway, "mass rapid transit" or "em-er-ti", is not just a set of signals, but itself a signal left by the 19th and 20th centuries to our urban culture. Work developed during the Quinzena d'Art de Montesquiu QUAM 1997. Inspired in "Agents Infiltrats" workshops led by Toni Serra. Finished during art residency 1998 in HANGAR sponsored by QUAM. Created using the multimedia software Director 5.
Untitled
ES ES-OVNI RSC-363
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Item
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2002
Part of Non-Identified Video Observatory (OVNI)
Art-Int-Act CD ROM - DVD Rom version published by ZKM
ES ES-OVNI CTX-S003-SS005-0018
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Item
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1994
Part of Non-Identified Video Observatory (OVNI)
Video version of an interactive work caricaturing the idea of freedom of choice. The context is a series of test questions, but the answers are predetermined and in this case lead us to destruction by accumulation, exploitation, ... 3 Mostra de Vídeo Independent de Barcelona 1996.
Untitled