ES ES-OVNI RSC-2952
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2008
Part of Non-Identified Video Observatory (OVNI)
1326 results with digital objects
Show results with digital objects
ES ES-OVNI RSC-3158
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2009
Part of Non-Identified Video Observatory (OVNI)
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ES ES-OVNI CTX-S018-SS003-0003
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2016
Part of Non-Identified Video Observatory (OVNI)
“The only crime that the inmates of Migrant Detention Centres (CIE) have committed is to cross some border or other, to be poor, and to be black, that's all. Remember that these people are the grandchildren of the slaves who were hunted down like animals and loaded onto ships...” Lamine Sarr. “Nobody sees the reality of Migrant Detention Centres, it's a hidden reality.” Aziz Faye.
ES ES-OVNI CTX-S018-SS002-0006
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2016
Part of Non-Identified Video Observatory (OVNI)
Presentation of collectives and debate. March 3, 2016 - Hall CCCB The Popular Union for Street Vendors aims to become a political lobby to defend the claims and needs of Barcelona's street vendors against persecution, discrimination and racism. The situations that street vendors find themselves in on a daily basis require a quick, organised response and first-hand communication with political authorities and the media, in their own voice.
ES ES-OVNI RSC-4181
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2016
Part of Non-Identified Video Observatory (OVNI)
Where is my tribe? Theory and practice of care Intervention and debate with Carolina del Olmo, after the screening of: The swedish theory of love by Erik Gandinni. November 12, 2016 Espai Calabria Barcelona. "Loneliness is on the rise. "Mainstream discourse hides the fact that the ‘normal’ situation of a 40-hour working week, plus daycare, plus grandma for tricky times, does not just leave room for improvement, it is downright unacceptable.”
ES ES-OVNI CTX-S010-SS003-0009
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2004
Part of Non-Identified Video Observatory (OVNI)
In 2003, the government headed by ex-president Gonzalo Sánchez de Lozada and Carlos Mesa (Bolivia's current president) passed a new Income Tax act, provoking a police riot that was subsequently repressed by the armed forces. The citizen protests that took to the streets were also repressed by the military and snipers. The documentary is made up of radio audio, TV images and newspaper archives from the main Bolivian newspapers.
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ES ES-OVNI RSC-4081
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1957
Part of Non-Identified Video Observatory (OVNI)
About media manufacturing a opinion state by using population fears and desires. News from the time about the Algerian conflict and the Independence and about what this possibility meant to france.
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ES ES-OVNI RSC-3536
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2009
Part of Non-Identified Video Observatory (OVNI)
The first time I saw Zuma, he was strolling down Barcelona´s streets. I was interested in what he was doing and he told me he was meditating. He was a budisht monk without temple, who was walking guided by the sun. He told me he was the Sun´s ambassador. I proposed him to make a film together and Zuma decided that we must do soething big. We had to tell Zuma´s life and his project for the new world: "The big red machine" He gave me a map of Barcelona with a signed route. Those were Sun´s orientations. Following them, I would be able to find him. It took me three weeks to find him again. We started together a film about Zuma.
ES ES-OVNI CTX-S009-SS002-0012
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2001
Part of Non-Identified Video Observatory (OVNI)
Infiltrating videoclubs.The Zulú and Clear and Present Danger trailers are part of Nascimento/Lovera's edits-inserts video project. By inserting their re-edited versions of commercial films in rental video chain stores, inter-city buses, public television and the black market, they are able to anonymously maximize the distribution of their work, while also questioning the symbolic mechanisms of power which are no longer located in traditional centers of cultural production, but spread throughout everywhere.
ES ES-OVNI CTX-S011-SS003-0002
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2002
Part of Non-Identified Video Observatory (OVNI)
Between 1877 and 1930, governments and private entrepreneurs organized in several European and American cities real Human Zoos, in which men and women of other races and cultures were exhibited in cardboard sets, separated by moats and fences, suffering a humiliating climate and conditions. They are the possessions of the Empire. The success is enormous, the public crowds to see face to face the "other" turned into an object.
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